A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Robert Burns: Tragic Fragment:
- Иннокентий Анненский – Еврипид. Ифигения в Авлиде («Ифигения-жертва») (перевод)
- Sonnet 147: My love is as a fever, longing still by William Shakespeare
- Иван Варавва – Мать Кубань
- Universal Prayer poem – Alexander Pope
- The Great Lament Of My Obscurity Three by Tristan Tzara
- Анатолий Жигулин – Ночная смена
- Song—O Tibbie, I hae seen the day by Robert Burns
- Николай Языков – Песни (Душа героев и певцов)
- Robert Burns: Epigram At Roslin Inn:
- The Rose And The Bee by Sara Teasdale
- Love Has Nothing to Do with the Five Senses by Jalal ad-Din Muhammad Rumi
- It Is Not A Word by Sara Teasdale
- Allegro Maestoso by William Ernest Henley
- Pity by Sara Teasdale
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Love by Robert Creeley
- Kore by Robert Creeley
- I Know A Man by Robert Creeley
- Goodbye by Robert Creeley
- Four Days In Vermont by Robert Creeley
- Clemente’s Images by Robert Creeley
- Ballad Of The Despairing Husband by Robert Creeley
- America by Robert Creeley
- Age by Robert Creeley
- A Wicker Basket by Robert Creeley
- A Token by Robert Creeley
- A Song by Robert Creeley
- Childe Roland To The Dark Tower Came by Robert Browning
- Cavalier Tunes: Marching Along by Robert Browning
- Cavalier Tunes: Give a Rouse by Robert Browning
- By The Fire-Side by Robert Browning
- Boot And Saddle by Robert Browning
- Bishop Blougram’s Apology by Robert Browning
- Before by Robert Browning
- Any Wife To Any Husband by Robert Browning
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.