A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Remembering Mountain Men by William Stafford
- Upon A Dying Lady by William Butler Yeats
- Poem on Sensibility by Robert Burns
- Tip-Toe-ing by Mahak Raithatha S
- Elegy by Siegfried Sassoon
- Яков Полонский – Не жди
- Meditation on a Bone
- Epitaph on the same by Robert Burns
- Василий Курочкин – Ни в мать, ни в отца
- A Song Of The Princess by Sara Teasdale
- UNEVEN PATH by Satish Verma
- On Recollection by Phillis Wheatley
- Sonnet. Written On A Blank Space At The End Of Chaucer’s Tale Of ‘The Floure And The Lefe’ poem – John Keats poems
- Robert Burns: Tragic Fragment:
- Crossing the Frontier
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Song—Willie brew’d a Peck o’ Maut by Robert Burns
- Song—The Tear-drop—“Wae is my heart” by Robert Burns
- Song—The Highland Balou by Robert Burns
- Song—The Fall of the Leaf by Robert Burns
- Song—The Birks of Aberfeldy by Robert Burns
- Song—Sweet Afton by Robert Burns
- Song—Stay my Charmer by Robert Burns
- Song—She’s Fair and Fause by Robert Burns
- Song—O Tibbie, I hae seen the day by Robert Burns
- Song—O let me in this ae night by Robert Burns
- Song—O can ye Labour Lea? by Robert Burns
- Song—Fragment—Leezie Lindsay by Robert Burns
- Song—Farewell to the Highlands by Robert Burns
- Song—Farewell to the Banks of Ayr by Robert Burns
- Song—Blythe hae I been on yon hill by Robert Burns
- Song—Beware o’ Bonie Ann by Robert Burns
- Song—Bessy and her Spinnin Wheel by Robert Burns
- Song—Behold the Hour, the Boat, arrive by Robert Burns
- Song—Behold, my love, how green the groves by Robert Burns
- Song—Awa’, Whigs, Awa’ by Robert Burns
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.