A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- The Temple of Fame poem – Alexander Pope poems | Poetry Monster
- An Essay on Man: Epistle II poem – Alexander Pope
- Mohini Chatterjee by William Butler Yeats
- Lines of John M’Murdo by Robert Burns
- Владимир Маяковский – Учитесь! (РОСТА №937)
- The Sky A-Clearen by William Barnes
- Transcience by Sarojini Naidu
- Faithless Nelly Gray by Thomas Hood
- The Stranger poem – Aleksandr Blok poems | Poetry Monster
- I Thought I was not Alone. by Walt Whitman
- Степан Щипачев – Тебе
- Sonnet # 17 by Luis A. Estable
- Robert Burns: Epigram On A Country Laird,: not quite so wise as Solomon.
- Forth went the candid man by Stephen Crane
- Incense by Vachel Lindsay
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Fragment – Wee Willie Gray (Song) by Robert Burns
- Farewell to Eliza (Song) by Robert Burns
- On a Scotch Bard, gone to the West Indies by Robert Burns
- Lament of Mary, Queen of Scots by Robert Burns
- Lament for James, Earl of Glencairn by Robert Burns
- Impromptu on Dumourier’s Desertion of the French Republican Army by Robert Burns
- Grace before and after Meat by Robert Burns
- Epitaph for Robert Aiken by Robert Burns
- Epistle to a Young Friend by Robert Burns
- Address to Beelzebub by Robert Burns
- A Grace after Meat by Robert Burns
- A Dream by Robert Burns
- A Dedication to Gavin Hamilton by Robert Burns
- A Bard’s Epitaph by Robert Burns
- Zion by Rudyard Kipling
- You Must n’t Swim… by Rudyard Kipling
- With Scindia to Delphi by Rudyard Kipling
- Wilful Missing by Rudyard Kipling
- White Horses by Rudyard Kipling
- When the Great Ark by Rudyard Kipling
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.