A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Mary’s Song by Sylvia Plath
- Harrow-on-the-Hill poem – John Betjeman poems | Poems and Poetry
- Ulysses poem – Lord Alfred Tennyson poems
- Спиридон Дрожжин – Смерть коня-пахаря
- The Last of the Light Brigade by Rudyard Kipling
- Velocity Of Money poem – Allen Ginsberg
- If Truth in Hearts That Perish poem – A. E. Housman
- A Night Thought by William Wordsworth
- Владимир Высоцкий – Марш студентов-физиков
- Владимир Бенедиктов – Степь
- Elegy poem – by Ambrose Bierce poems | Poems and Poetry
- Scoring Highly on the Psychopathy Scale by P.J.Reed
- Twiddle-de-dee by Muralidharan Mudaliar
- Come not when I am dead poem – Lord Alfred Tennyson poems
- The Harvest Bow by Seamus Heaney
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Number 1 by Raj Arumugam
- nonsense verse by Raj Arumugam
- no ambition for eternity by Raj Arumugam
- Nature’s song for the children by Raj Arumugam
- Nasrudin’s donkey eats poetry by Raj Arumugam
- Mummy, mummy who invented school? by Raj Arumugam
- Mum and children in the street by Raj Arumugam
- Mr Anonymous, a life by Raj Arumugam
- Moon poems by Raj Arumugam
- Moon, I hear you are moving away by Raj Arumugam
- minding love by Raj Arumugam
- message from the sun by Raj Arumugam
- may each find the peace within by Raj Arumugam
- M for Man, Money and Moon by Raj Arumugam
- lovers in nature by Raj Arumugam
- love growing by Raj Arumugam
- love by Raj Arumugam
- little teddy bear lost by Raj Arumugam
- little Sara’s sleep by Raj Arumugam
- life on the escalator by Raj Arumugam
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.