A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- A Prayer in Spring by Robert Frost
- Стефан Малларме – Гробница Эдгара По
- Epigram on Miss Davies by Robert Burns
- Nos Immortales by Stephen Vincent Benet
- Robert Burns: The Twa Dogs: A Tale
- Низами Гянджеви – Искендер-наме – Страница 11 из 15
- Who Learns My Lesson Complete? by Walt Whitman
- Animation by Satish Verma
- Unforgetting by Satish Verma
- Cradle Song by Sarojini Naidu
- Михаил Ломоносов – Надпись на иллюминацию 1747 года перед зимним домом
- The Breaking Point by Stephen Vincent Benet
- Lover’s Gifts XXII: I Shall Gladly Suffer by Rabindranath Tagore
- Sporting Acquaintances by Siegfried Sassoon
- How Many Bards Gild The Lapses Of Time! poem – John Keats poems
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- I am the earthworm, Lord of the Underworld by Raj Arumugam
- I am content here by Raj Arumugam
- How I saved Planet Earth by Raj Arumugam
- how far are you? by Raj Arumugam
- how did poetry begin? by Raj Arumugam
- Hey birds by Raj Arumugam
- Head of a Smiling Young Woman in Three-Quarter View by Raj Arumugam
- gum tree loved by the sky by Raj Arumugam
- good bye, my sweet angel by Raj Arumugam
- four legs good, two legs badOwl Hoots and Grasshopper Sings by Raj Arumugam
- four legs good, two legs bad by Raj Arumugam
- five moons for earth by Raj Arumugam
- Female ghost in the moonlight by Raj Arumugam
- emotional bond by Raj Arumugam
- doughnuts for sale by Raj Arumugam
- different lovers by Raj Arumugam
- did you die, Ophelia? by Raj Arumugam
- dear owl, forlorn like King Lear by Raj Arumugam
- dear moon, you will understand by Raj Arumugam
- days of quiet by Raj Arumugam
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.