A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Pamela Griffiths – Pamela Griffiths
- Yarrow Unvisited by William Wordsworth
- The Brave and the Love Flute by Tomás Ó Cárthaigh
- Broken wings of a Heart by Saajida Gora
- A Letter to a Live Poet by Rupert Brooke
- Street Cries by Sarojini Naidu
- Hymn To Death by William Cullen Bryant
- Loud Silence by Preethi Saravanakumar
- Telescope by Mark R Slaughter
- There was a Child went Forth. by Walt Whitman
- Наум Коржавин – Никакой истерики
- Владимир Костров – Просыпаюсь от сердечной боли
- A Desolate Shore by William Ernest Henley
- The Heart That Is Pining by Timothy Thomas Fortune
- Wet City Night
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The First Sam Hazo at the Last by Samuel Hazo
- The Cleaving by Samuel Hazo
- Carol of a Father by Samuel Hazo
- To A Young Lady. On Her Recovery From A Fever by Samuel Taylor Coleridge
- Written In Early Youth. The Time,–An Autumnal Evening by Samuel Taylor Coleridge
- The Lime-tree Bower my Prison by Samuel Coleridge
- Psyche by Samuel Coleridge
- Brockley Coomb by Samuel Coleridge
- As some vast Tropic tree, itself a wood (fragment) by Samuel Coleridge
- Constancy To An Ideal Object by Samuel Coleridge
- A Tombless Epitaph by Samuel Coleridge
- Cologne by Samuel Coleridge
- Duty Surviving Self-Love by Samuel Coleridge
- Epitaph by Samuel Coleridge
- Dejection: An Ode by Samuel Coleridge
- About The Nightingale by Samuel Coleridge
- Fears In Solitude by Samuel Coleridge
- Christabel by Samuel Coleridge
- Epigram by Samuel Coleridge
- Phantom by Samuel Coleridge
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.