A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- on our conditioning by Raj Arumugam
- Merging, Emerging by Shahida Latif
- Sonnet 2: When forty winters shall besiege thy brow by William Shakespeare
- A Florida Sunday. by Sidney Lanier
- ” As faith thus sanctified the warrior’s crest” by William Wordsworth
- Laws for Creations. by Walt Whitman
- I Remember by Stevie Smith
- Sonnet 16: But wherefore do not you a mightier way by William Shakespeare
- The Magic by Preeth Nambiar
- Others may Praise what They Like. by Walt Whitman
- Владимир Высоцкий – Песня солдата на часах
- Robert Burns: The Lament: Occasioned by the unfortunate issue of a Friend’s Amour.
- Михаил Лермонтов – Блистая, пробегают облака
- Ольга Берггольц – Я так хочу, так верю, так люблю
- Enoch Arden poem – Lord Alfred Tennyson poems
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Conversation Among The Ruins by Sylvia Plath
- Circus In Three Rings by Sylvia Plath
- Child’s Park Stones by Sylvia Plath
- “Célibataire” by Sylvia Plath
- By Candlelight by Sylvia Plath
- Burning The Letters by Sylvia Plath
- Bluebeard by Sylvia Plath
- Blackberrying by Sylvia Plath
- Black Rook In Rainy Weather by Sylvia Plath
- Black Pine Tree In An Orange Light by Sylvia Plath
- Battle-Scene From the Comic Operatic Fantasy The Seafarer by Sylvia Plath
- Balloons by Sylvia Plath
- Ariel by Sylvia Plath
- Apprehensions by Sylvia Plath
- An Appearance by Sylvia Plath
- Amnesiac by Sylvia Plath
- All The Dead Dears by Sylvia Plath
- Aftermath by Sylvia Plath
- Admonition by Sylvia Plath
- Above The Oxbow by Sylvia Plath
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.