A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Владимир Маяковский – Тропики
- St. Agnes’ Eve poem – Lord Alfred Tennyson poems
- Love Compared To A Game Of Tables by William Strode
- In Memoriam A. H. H.: 78. Again at Christmas did we weave poem – Lord Alfred Tennyson poems
- The Poetic Principle by Mark Olynyk
- The Campera, the Foreigner y el Novio by Marjorie Kanter
- Time Out To Cry by Shannen Wrass
- Prospect by Sylvia Plath
- Love And Madness by Thomas Campbell
- Tulips by Sylvia Plath
- The Bell Buoy by Rudyard Kipling
- Аля Кудряшева – Все не то чтобы исчезло
- Leave Me, O Love Which Reachest But To Dust by Sir Philip Sidney
- Валерий Брюсов – К портрету Лермонтова
- A Rhyme About an Electrical Advertising Sign by Vachel Lindsay
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- As a Beam O’er the Face of the Waters May Glow by Thomas Moore
- And Doth Not a Meeting Like This by Thomas Moore
- An Incantation by Thomas Moore
- An Expostulation to Lord King by Thomas Moore
- An Argument by Thomas Moore
- Alone in Crowds to Wander On by Thomas Moore
- All In a Family Way by Thomas Moore
- After the Battle by Thomas Moore
- Which way does the wind blow? by Thomas J Camp
- Virgule by Thomas Lux
- Unlike, For Example, The Sound Of A Riptooth Saw by Thomas Lux
- Torn Shades by Thomas Lux
- The Road That Runs Beside The River by Thomas Lux
- The Progress of Poesy by Thomas Gray
- The Man Into Whose Yard You Should Not Hit Your Ball by Thomas Lux
- The Inheritance by Thomas J Camp
- The Holy Mountain of Hope by Thomas Ziemer
- The Curse Upon Edward by Thomas Gray
- The Bard by Thomas Gray
- Sonnet On The Death Of Mr Richard West by Thomas Gray
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.