A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- In Memoriam A. H. H.: 105. To-night ungather’d let us leave poem – Lord Alfred Tennyson poems
- Immigrants by Robert Frost
- Your Poems on My Patio by Martina Reisz Newberry
- Владимир Маяковский – Пилсудский
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- Crepuscule du Matin poem – Amy Lowell poems | Poems and Poetry
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- Eye By Eye by Nijole Miliauskaite
- Rose The Red And White Lily poem – Andrew Lang poems
- Юрий Верховский – Месяцу, заре, звезде, лазури
- The Praise Of Pindar In Imitation Of Horace His Second Ode Book 4
- Repose In God by William Cowper
- Give Me Back My Rags #12 by Vasko Popa
- Gone
- To Some Ladies poem – John Keats poems
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Reproof: A Satire. by Tobias Smollett
- Tobias Smollett – Tobias Smollett
- Love Elegy (in imitation of Tibullus) by Tobias Smollett
- “Let the nymph still avoid and be deaf to the swain” by Tobias Smollett
- To Independence by Tobias Smollett
- “From the man whom I love, though my heart I disguise,” by Tobias Smollett
- “Come listen, ye students of every degree” by Tobias Smollett
- Blue-Eyed Ann by Tobias Smollett
- Advice: A Satire. by Tobias Smollett
- You Will Forget! by Timothy Thomas Fortune
- Words Of Love Forevermore by Timothy Thomas Fortune
- What Is Woman But A Song! by Timothy Thomas Fortune
- The Squirrel by Todd H. C. Fischer
- The Pulling Away by Timothy Cole
- The moon at noon by Tom Mukasa
- The Leather Suitcase by Tom Berman
- The Mocking Bird by Timothy Thomas Fortune
- The Heart That Is Pining by Timothy Thomas Fortune
- The Clime Of My Birth by Timothy Thomas Fortune
- The Bird Has Vanished by Timothy Thomas Fortune
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.