A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Dream With Clam-Diggers by Sylvia Plath
- Sonnet 10 poem – John Milton poems
- Илона Грошева – Мой друг Евгений
- The Blackbird by William Barnes
- Иван Бунин – Безнадежность
- The Meditation Of The Old Fisherman by William Butler Yeats
- The Falling Of The Leaves by William Butler Yeats
- Ольга Седакова – И меня удивило
- Lullaby by William Butler Yeats
- Валерий Брюсов – Дворец любви
- four legs good, two legs bad by Raj Arumugam
- The Song of the Borderguard by Robert Duncan
- Наум Коржавин – От судьбы никуда не уйти
- Владимир Высоцкий – Тексты для капустника к 5-летию Театра на Таганке
- London, 1802 by William Wordsworth
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Moon’s the North Wind’s Cooky by Vachel Lindsay
- The Moon is a Painter by Vachel Lindsay
- The Merciful Hand by Vachel Lindsay
- The Master of the Dance by Vachel Lindsay
- The Little Turtle by Vachel Lindsay
- The Lion by Vachel Lindsay
- The Light o’ the Moon by Vachel Lindsay
- The Leaden-Eyed by Vachel Lindsay
- The King of Yellow Butterflies by Vachel Lindsay
- The Jingo and the Minstrel by Vachel Lindsay
- The Illinois Village by Vachel Lindsay
- The Hope of the Resurrection by Vachel Lindsay
- The Hearth Eternal by Vachel Lindsay
- The Haughty Snail-King by Vachel Lindsay
- The Ghosts of the Buffaloes by Vachel Lindsay
- The Gamblers by Vachel Lindsay
- The Flower of Mending by Vachel Lindsay
- The Flower-Fed Buffaloes by Vachel Lindsay
- The Fairy Bridal-Hymn by Vachel Lindsay
- The Empty Boats by Vachel Lindsay
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.