A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Sonnet 06 poem – John Milton poems
- The True Use of the Looking-Glass by William Somervile
- To The Nameless Soldier
- Владимир Бенедиктов – Старой знакомке
- Psalm 06 poem – John Milton poems
- Валерий Брюсов – Петербург (Здесь снов не ваял Сансовино)
- Олег Бундур – Обновки
- Николай Заболоцкий – Рыбная лавка
- Epistle to Hugh Parker by Robert Burns
- The Bridge by Russell Edson
- Юргис Балтрушайтис – Средь бега дней моих порой
- Sacred And Profane Love poem – Alfred Austin
- Robert Burns: Duncan Gray:
- Why do ye torture me? by Patrick Pearse
- Magnolia Shoals by Sylvia Plath
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Mae Marsh, Motion Picture Actress by Vachel Lindsay
- Love and Law by Vachel Lindsay
- Look You, I’ll Go Pray by Vachel Lindsay
- Lincoln by Vachel Lindsay
- King Arthur’s Men Have Come Again by Vachel Lindsay
- Incense by Vachel Lindsay
- In Praise of Songs that Die by Vachel Lindsay
- In Memory of a Child by Vachel Lindsay
- I Went Down into the Desert by Vachel Lindsay
- I Heard Immanuel Singing by Vachel Lindsay
- How Samson Bore Away the Gates of Gaza by Vachel Lindsay
- Rhymes for Gloriana by Vachel Lindsay
- How I Walked Alone in the Jungles of Heaven by Vachel Lindsay
- Queen Mab in the Village by Vachel Lindsay
- How a Little Girl Sang by Vachel Lindsay
- Popcorn, Glass Balls, and Cranberries by Vachel Lindsay
- How a Little Girl Danced by Vachel Lindsay
- What the Coal-Heaver Said by Vachel Lindsay
- Honor Among Scamps by Vachel Lindsay
- On the Building of Springfield by Vachel Lindsay
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.