A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- To A Girl In A Garden by Sappho
- Please Don’t Judas Me by Mark Miller
- SOMALIA CALLING by Satish Verma
- Омар Хайям – Благородные люди, друг друга любя
- Teaken In Apples by William Barnes
- Sonnet To A Young Lady On Her Birth-Day by William Cowper
- To Him that was Crucified. by Walt Whitman
- Джон Донн – Ворожба над портретом
- On Receipt Of My Mother’s Picture by William Cowper
- Forgotten Language by Shel Silverstein
- Спиридон Дрожжин – Рожь
- Алексей Ржевский – Как я стал знать взор твой
- Владимир Британишский – Горы, горы – горизонты
- Юлия Друнина – Есть время любить
- From The Italian Of Michael Angelo by William Wordsworth
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- When Lilacs Last in the Door-yard Bloom’d. by Walt Whitman
- When I read the Book. by Walt Whitman
- When I peruse the Conquer’d Fame. by Walt Whitman
- When I heard the Learn’d Astronomer. by Walt Whitman
- When I heard at the Close of the Day. by Walt Whitman
- What think You I take my Pen in Hand? by Walt Whitman
- What Place is Besieged? by Walt Whitman
- What General has a Good Army. by Walt Whitman
- What Best I See In Thee. by Walt Whitman
- What am I, After All? by Walt Whitman
- We Two—How Long We were Fool’d. by Walt Whitman
- We Two Boys Together Clinging. by Walt Whitman
- Visor’d. by Walt Whitman
- Vigil Strange I Kept on the Field. by Walt Whitman
- Turn, O Libertad. by Walt Whitman
- To You. by Walt Whitman
- To Thee, Old Cause! by Walt Whitman
- To the Garden the World. by Walt Whitman
- To One Shortly to Die. by Walt Whitman
- To Him that was Crucified. by Walt Whitman
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.