A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- We Are As The Flute by Jalal ad-Din Muhammad Rumi
- In Ithica poem – Andrew Lang poems
- Couplet 4 poem – Amir Khusro poems | Poems and Poetry
- To Virgil poem – Lord Alfred Tennyson poems
- said, unsaid by tulip
- Sick Leave by Siegfried Sassoon
- To The Rev. Mr. Newton, On His Return From Ramsgate by William Cowper
- Олег Бундур – Сторож
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- Джон Донн – Когда я с ней, с моим бесценным кладом
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- Владимир Высоцкий – Марине
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- hai_kou_unpublished.html
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Bantams In Pine-Woods by Wallace Stevens
- Gray Room by Wallace Stevens
- A Postcard From The Volcano by Wallace Stevens
- A High-Toned Old Christian Woman by Wallace Stevens
- A Rabbit As King Of The Ghosts by Wallace Stevens
- Final Soliloquy Of The Interior Paramour by Wallace Stevens
- Domination Of Black by Wallace Stevens
- Disillusionment Of Ten O’clock by Wallace Stevens
- Anecdote Of The Jar by Wallace Stevens
- Not Ideas About The Thing But The Thing Itself by Wallace Stevens
- Metaphors Of A Magnifico by Wallace Stevens
- Looking Across The Fields And Watching The Birds Fly by Wallace Stevens
- Life Is Motion by Wallace Stevens
- Le Monocle de Mon Oncle by Wallace Stevens
- Infanta Marina by Wallace Stevens
- Hymn From A Watermelon Pavilion by Wallace Stevens
- Gubbinal by Wallace Stevens
- Frogs Eat Butterflies, Snakes Eat Frogs, Hogs Eat Snakes, Men Eat Hogs by Wallace Stevens
- Farewell To Florida by Wallace Stevens
- Fabliau Of Florida by Wallace Stevens
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.