A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- In Praise Of Henna by Sarojini Naidu
- divided_passion.html
- Юргис Балтрушайтис – Утренние песни
- A Cliff Dwelling by Robert Frost
- Николай Языков – Песня (Я жду тебя, когда вечерней мглою)
- Violets Beauty Passing
- The Great Palaces Of Versailles by Rita Dove
- Sonnet To Henry Cowper, Esq. by William Cowper
- In Praise Of England poem – Alfred Austin
- Years of the Modern. by Walt Whitman
- Алексей Ржевский – Рондо (И всякий так живет)
- The Colloquy Beneath by Margaret Marie Hubbard
- Владимир Маяковский – Вот советской России враги. С каждым боритесь, пока не погиб (РОСТА № 179)
- Friend, your white beard sweeps the ground by Stephen Crane
- The Gift by Sara Teasdale
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Youth And Age by William Butler Yeats
- Young Man’s Song by William Butler Yeats
- Words by William Butler Yeats
- Wisdom by William Butler Yeats
- Why Should Not Old Men Be Mad? by William Butler Yeats
- Who Goes With Fergus? by William Butler Yeats
- When You Are Old by William Butler Yeats
- When Helen Lived by William Butler Yeats
- What Was Lost by William Butler Yeats
- What Then? by William Butler Yeats
- Veronica’s Napkin by William Butler Yeats
- Vacillation by William Butler Yeats
- Upon A House Shaken By The Land Agitation by William Butler Yeats
- Upon A Dying Lady by William Butler Yeats
- Under The Round Tower by William Butler Yeats
- Under Saturn by William Butler Yeats
- Two Years Later by William Butler Yeats
- Two Songs Of A Fool by William Butler Yeats
- Two Songs From A Play by William Butler Yeats
- Towards Break Of Day by William Butler Yeats
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.