A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Владимир Костров – Поплачь, любимая, поплачь
- The Story of Ung by Rudyard Kipling
- A Fairy Tale poem – Amy Lowell poems | Poems and Poetry
- The Cloak, The Boat And The Shoes by William Butler Yeats
- What Is Woman But A Song! by Timothy Thomas Fortune
- Sonnet CXXVIII by William Shakespeare
- Aubade by Philip Larkin
- A Pastiche For Eve by Weldon Kees
- Poetry And Politics
- Николай Заболоцкий – Счастливый день
- let’s love the lawn by Raj Arumugam
- What Best I See In Thee. by Walt Whitman
- The Beacon Fires
- Robert Burns: Extempore In The Court Of Session:
- eudaemonism_in_a_senryu_novel.html
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Tom The Lunatic by William Butler Yeats
- Tom O’Roughley by William Butler Yeats
- To The Rose Upon The Rood Of Time by William Butler Yeats
- To Dorothy Wellesley by William Butler Yeats
- To Be Carved On A Stone At Thoor Ballylee by William Butler Yeats
- To A Young Girl by William Butler Yeats
- To A Young Beauty by William Butler Yeats
- To A Poet, Who Would Have Me Praise Certain Bad Poets, Imitators Of His And Mine by William Butler Yeats
- To A Friend Whose Work Has Come To Nothing by William Butler Yeats
- The Marriage of Heaven and Hell by William Blake
- Poems by William Blake, Songs of Innocence and Experience and the Book of Thel
- Written In March by William Wordsworth
- To the City of London by William Dunbar
- To a Lady by William Dunbar
- The Sirens’ Song by William Browne
- The Rose by William Browne
- The Quarry by William Vaughn Moody
- The Daguerreotype by William Vaughn Moody
- The Blues by William Matthews
- Song by William Browne
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.