A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- To E.S. Salomon poem – Ambrose Bierce poems | Poems and Poetry
- Dead March by Weldon Kees
- Robert Burns: Second Epistle to Davie: A Brother Poet
- Кондратий Рылеев – Гусь и змия
- Ольга Высотская – Волны
- Robert Burns: When She Cam’ Ben She Bobbed :
- Владимир Маяковский – Странно… но верно
- Your choice by Mrunmayi Mandan
- Sonnet 105: Let not my love be called idolatry by William Shakespeare
- Валерий Брюсов – После ночи бессонной
- Николай Карамзин – Из письма к И. И. Дмитриеву (Что ж может быть любви и счастия быстрее)
- In a Spring Grove by William Allingham
- I Am Part Of The Load by Jalal ad-Din Muhammad Rumi
- An ode to you by Tanisha Avarsekar
- The Innocence by Robert Creeley
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Гавриил Державин – Философы, пьяный и трезвый
- Гавриил Державин – Амур и Психея
- Гавриил Державин – Жуковскому и Родзянке, приславшим с большими похвалами автору перевод его оды «Бог» на французском языке
- Гавриил Державин – Желание в горняя
- Гавриил Державин – Жан Расин. Рассказ Терамена
- Гавриил Державин – Задумчивость
- Гавриил Державин – Храповицкому (Храповицкий! дружбы знаки)
- Гавриил Державин – Похвала за правосудие
- Гавриил Державин – Похвала комару
- Гавриил Державин – Послание Мурзы Багрима к царевне Доброславе
- Гавриил Державин – Поминки
- Гавриил Державин – Покаяние
- Гавриил Державин – Подражание псалму (Терпел я, уповал на Бога)
- Гавриил Державин – Песенка
- Гавриил Державин – Пчелка
- Гавриил Державин – Охотник
- Гавриил Державин – Осень
- Гавриил Державин – Оковы
- Гавриил Державин – О удовольствии
- Гавриил Державин – Надежда на бога
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.