A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Cuchulain Comforted by William Butler Yeats
- A World So Different by Mary Etta Metcalf
- Владимир Степанов – Юрий Гагарин
- Владимир Луговской – Гуниб
- Surf Song
- Robert Burns: Epigram On Rough Roads:
- The Times Are Nightfall poem – Gerard Manley Hopkins poems
- Eclogue X by Virgil
- To His Mistress In Absence by Torquato Tasso
- Юрий Галансков – Вступление к поэме “Апельсиновая шкура”
- O Solitude! If I Must With Thee Dwell poem – John Keats poems
- love growing by Raj Arumugam
- How to Increase Your Faith
- The Song of the Women by Rudyard Kipling
- Валерий Брюсов – Два мака
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Георгий Иванов – То, о чем искусство лжет
- Георгий Иванов – Теплятся жаркие свечи
- Георгий Иванов – Теперь тебя не уничтожат
- Георгий Иванов – Теперь, когда быстрее лавы
- Георгий Иванов – Танцуй, монах, танцуй, поэт
- Георгий Иванов – Там, над Невой зеленоватой
- Георгий Иванов – Так тихо гаснул этот день
- Георгий Иванов – Балтийское море дымилось
- Георгий Иванов – Аспазия, всегда Аспазия
- Георгий Иванов – Альбомный сонет
- Георгий Иванов – А может быть, еще и не конец
- Геннадий Айги – Два эпилога
- Геннадий Айги – Дом в поле
- Геннадий Айги – ДЕВОЧКА В ДЕТСТВЕ
- Геннадий Айги – ЧИТАЯ НОРВИДА
- Геннадий Айги – БЕЗ НАЗВАНИЯ
- Гавриил Державин – На Новый год
- Гавриил Державин – Модное остроумие
- Гавриил Державин – К первому соседу
- Гавриил Державин – К Анжелике Кауфман
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.