The merry waves dance up and down, and play,
Sport is granted to the sea;
Birds are the choristers of the empty air,
Sport is never wanting there.
The ground doth smile at the spring’s flowery birth,
Sport is granted to the earth;
The fire its cheering flame on high doth rear,
Sport is never wanting there,
If all the elements, the earth, the sea,
Air, and fire, so merry be,
Why is man’s mirth so seldom and so small,
Who is compounded of them all?
A few random poems:
- Less Than The Cloud To The Wind by Sara Teasdale
- Вера Павлова – Удобряю ресницы снами
- He Is Calm, and I Am Too by Mahmoud Darwish
- Sonnet: On seeing Miss Helen Maria Williams weep at a tale of distress by William Wordsworth
- Sonnet 46: Mine eye and heart are at a mortal war by William Shakespeare
- If I Forget Thee, Jerusalem by Yehuda Amichai
- Fragment of a Greek Tragedy poem – A. E. Housman
- Владимир Маяковский – Да или нет
- Us Two by AA Milne
- In Imitation of E. of Dorset : Artemisia poem – Alexander Pope
- Ольга Берггольц – Песня дочери
- Олег Чупров – Он впадает в смятенье
- Владимир Набоков – Кинематораф
- Владимир Высоцкий – Песня солдата на часах
- A reason for you by Pritha halder
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- I’ll go and be a Sodger by Robert Burns
- Halloween by Robert Burns
- Green Grow The Rashes by Robert Burns
- Fragment on Sensibility by Robert Burns
- Fragment of Song—The Night was Still by Robert Burns
- Fragment of Song—“My Jean!” by Robert Burns
- Fragment—Her Flwoing Locks by Robert Burns
- For a’ that and a’ that by Robert Burns
- Fickle Fortune: A Fragment by Robert Burns
- Fareweel To A’Our Scottish Fame by Robert Burns
- Extempore Reply to an Invitation by Robert Burns
- Extempore on some commemorations of Thomson by Robert Burns
- Extempore in the Court of Session by Robert Burns
- Extemporaneous Effusion on being appointed to an Excise Division by Robert Burns
- Esteem for Chloris by Robert Burns
- Epitaph on Wm. Graham, Esq., of Mossknowe by Robert Burns
- Epitaph on William Muir by Robert Burns
- Epitaph on William Hood, Senior by Robert Burns
- Epitaph on “Wee Johnnie” by Robert Burns
- Epitaph on the same by Robert Burns
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.