The merry waves dance up and down, and play,
Sport is granted to the sea;
Birds are the choristers of the empty air,
Sport is never wanting there.
The ground doth smile at the spring’s flowery birth,
Sport is granted to the earth;
The fire its cheering flame on high doth rear,
Sport is never wanting there,
If all the elements, the earth, the sea,
Air, and fire, so merry be,
Why is man’s mirth so seldom and so small,
Who is compounded of them all?
A few random poems:
- The Real Work by Wendell Berry
- Жан де Лафонтен – Пьяница и Жена его
- Hyperion. Book I poem – John Keats poems
- The Hope of the Resurrection by Vachel Lindsay
- The Lotus by Rabindranath Tagore
- Вера Павлова – Время бежит на время
- STUNNED by Satish Verma
- The Disquieting Muses by Sylvia Plath
- Владимир Вишневский – Она идёт – как Восток алеет
- Tiny Warrior by Sharmagne Leland-St. John
- September Rain by Vishü Rita Krocha
- Notice by Steve Kowit
- Song. Written On A Blank Page In Beaumont And Fletcher’s Works poem – John Keats poems
- The Evening Light poem – Alfred Austin
- Николай Карамзин – Анакреонтические стихи А. А. Петрову
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Омар Хайям – О доколе ты по свету будешь кружить
- Омар Хайям о Боге и религии: Рубаи, стихи Хайяма про Бога – Poetry Monster
- Омар Хайям – Ну, допустим, что будет тебе и почет
- Омар Хайям – Нищим дервишем ставши
- Омар Хайям – Никто не лицезрел ни рая, ни геенны
- Омар Хайям – Ни к другу не взывай, ни к небесам
- Омар Хайям – Нет ни рая, ни ада, о сердце моё
- Омар Хайям – Несовместимых мы порой полны желаний
- Омар Хайям – Неправ, кто думает, что бог неумолим
- Омар Хайям – Небо кушак, что облек изнуренный мой стан
- Омар Хайям – Не зли других и сам не злись
- Омар Хайям – Не зарекайся пить бесценных гроздий сок
- Омар Хайям – Не являй друзьям печальный вид
- Омар Хайям – Не выращивай в сердце печали росток
- Омар Хайям – Не устану в неверном театре теней
- Омар Хайям – Не у тех, кто во прах государства поверг
- Омар Хайям – Не таи в своем сердце обид и скорбей
- Омар Хайям – Не смешно ли весь век по копейке копить
- Омар Хайям – Не порочь лозы-невесты
- Омар Хайям – Не оплакивай, смертный, вчерашних потерь
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.