A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: “Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires’ tombs! For all we now contend!”
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness’ eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.
A few random poems:
- Soul Receives From Soul by Jalal ad-Din Muhammad Rumi
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- Cut by Sylvia Plath
- The Old Cumberland Beggar by William Wordsworth
- On Hearing The Bag-Pipe And Seeing “The Stranger” Played At Inverary poem – John Keats poems
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- Sonnet 07
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- Sonnet # 14 by Luis A. Estable
- The Meditation Of The Old Fisherman by William Butler Yeats
- The Fallen Elm poem – Alfred Austin
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- For K. J., Leaving and Coming Back by Marilyn Hacker
- Exiles by Marilyn Hacker
- Desesperanto by Marilyn Hacker
- Dear Alzheimer’s by Maria Knox
- Colors Passing Through Us by Marge Piercy
- Children of My Own by Marie Starr
- Belly Good by Marge Piercy
- Baseball and Writing by Marianne Moore
- Barbie Doll by Marge Piercy
- Attack of the Squash People by Marge Piercy
- Always Unsuitable by Marge Piercy
- about emptiness… by Marina Cecilia Kohon
- A Work Of Artifice by Marge Piercy
- A Grave by Marianne Moore
- Woman by Manmohan Acharya
- Without exile, who am I? by Mahmoud Darwish
- Winter’s End by Mac McGovern
- Wind by Mac McGovern
- What these girl means to me by Maphoto selokela
- Two Stranger Birds in Our Feathers by Mahmoud Darwish
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.