A poem by Aeschylus (c. 525 – c. 456 Before Christ )
A GLEAM – a gleam – from Ida’s height,
By the Fire-god sent, it came;
From watch to watch it leapt, that light,
As a rider rode the flame!
It shot through the startled sky,
And the torch of that blazing glory
Old Lemnos caught on high,
On its holy promontory,
And sent it on, the jocund sign,
To Athos, Mount of Jove divine.
Wildly the while, it rose from the isle,
So that the might of the journeying Light
Skimmed over the back of the gleaming brine!
Farther and faster speeds it on,
Till the watch that keeps Macistus steep
See it burst like a blazing Sun!
Doth Macistus sleep
On his tower-clad steep?
No! rapid and red doth the wild fire sweep;
It flashes afar on the wayward stream
Of the wild Euripus, the rushing beam!
It rouses the light on Messapion’s height,
And they feed its breath with the withered heath.
But it may not stay!
And away – away –
It bounds in its freshening might.
Silent and soon,
Like a broadened moon,
It passes in sheen, Asopus green,
And bursts on Cithaeron gray!
The warder wakes to the Signal-rays,
And it swoops from the hill with a broader blaze.
On, on the fiery Glory rode;
Thy lonely lake, Gorgopis, glowed!
To Megara’s Mount it came;
They feed it again
And it streams amain-
A giant beard of Flame!
The headland cliffs that darkly down
O’er the Saronic waters frown,
Are passed with the Swift One’s lurid stride,
And the huge rock glares on the glaring tide.
With mightier march and fiercer power
It gained Arachne’s neighboring tower;
Thence on our Argive roof its rest it won,
Of Ida’s fire the long-descended Son!
Bright Harbinger of glory and of joy!
So first and last with equal honor crowned,
In solemn feasts the race-torch circles round. –
And these my heralds! – this my SIGN OF PEACE;
Lo! while we breathe, the victor lords of Greece
Stalk, in stern tumult, through the halls of Troy!
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 48: How careful was I, when I took my way by William Shakespeare
- Sonnet 47: Betwixt mine eye and heart a league is took by William Shakespeare
- Sonnet 46: Mine eye and heart are at a mortal war by William Shakespeare
- Sonnet 45: The other two, slight air and purging fire by William Shakespeare
- Sonnet 44: If the dull substance of my flesh were thought by William Shakespeare
- Sonnet 43: When most I wink, then do mine eyes best see by William Shakespeare
- Sonnet 42: That thou hast her, it is not all my grief by William Shakespeare
- Sonnet 41: Those pretty wrongs that liberty commits by William Shakespeare
- Sonnet 40: Take all my loves, my love, yea, take them all by William Shakespeare
- Sonnet 3: Look in thy glass, and tell the face thou viewest by William Shakespeare
- Sonnet 39: O, how thy worth with manners may I sing by William Shakespeare
- Sonnet 38: How can my Muse want subject to invent by William Shakespeare
- Sonnet 37: As a decrepit father takes delight by William Shakespeare
- Sonnet 36: Let me confess that we two must be twain by William Shakespeare
- Sonnet 35: No more be grieved at that which thou hast done by William Shakespeare
- Sonnet 34: Why didst thou promise such a beauteous day by William Shakespeare
- Sonnet 33: Full many a glorious morning have I seen by William Shakespeare
- Sonnet 74: But be contented when that fell arrest by William Shakespeare
- Sonnet 73: That time of year thou mayst in me behold by William Shakespeare
- Sonnet 72: O, lest the world should task you to recite by William Shakespeare
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.