A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
A few random poems:
- Ontological by Maggie Anderson
- Strike, Churl poem – Gerard Manley Hopkins poems
- The Lover Pleads With His Friend For Old Friends by William Butler Yeats
- Владимир Маяковский – Размышления у парадного подъезда
- The Rao Of Ilore
- Владимир Бенедиктов – Не надо
- Hymn Before Action by Rudyard Kipling
- Of course I love you by Sappho
- Robert Burns: Fickle Fortune: Fragment
- Иннокентий Анненский – Еврипид. Геракл (перевод)
- Intorduction to the Songs of Experience by William Blake
- Antimatter by Russell Edson
- Orion
- on our conditioning by Raj Arumugam
- Imbrium by Todd H. C. Fischer
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- I am the earthworm, Lord of the Underworld by Raj Arumugam
- I am content here by Raj Arumugam
- How I saved Planet Earth by Raj Arumugam
- how far are you? by Raj Arumugam
- how did poetry begin? by Raj Arumugam
- Hey birds by Raj Arumugam
- Head of a Smiling Young Woman in Three-Quarter View by Raj Arumugam
- gum tree loved by the sky by Raj Arumugam
- good bye, my sweet angel by Raj Arumugam
- four legs good, two legs badOwl Hoots and Grasshopper Sings by Raj Arumugam
- four legs good, two legs bad by Raj Arumugam
- five moons for earth by Raj Arumugam
- Female ghost in the moonlight by Raj Arumugam
- emotional bond by Raj Arumugam
- doughnuts for sale by Raj Arumugam
- different lovers by Raj Arumugam
- did you die, Ophelia? by Raj Arumugam
- dear owl, forlorn like King Lear by Raj Arumugam
- dear moon, you will understand by Raj Arumugam
- days of quiet by Raj Arumugam
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.