A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.

A few random poems:
- Владимир Набоков – Простая песня, грусть простая
- On A March Day by Sara Teasdale
- Last Battle Cid
- Gleaners Of Fame poem – Alfred Austin
- The Convoy by Stephenie Tucker
- The Coach Of Life poem – Alexander Pushkin
- Ольга Седакова – Кот, бабочка, свеча
- Ольга Седакова – Элегия смоковницы
- Paradise Lost: Book 01 poem – John Milton poems
- A Week by Thomas Hardy
- At The Gate Of The Convent poem – Alfred Austin
- Did Not by Thomas Moore
- At the Top of My voice by Vladimir Mayakovsky
- Игорь Северянин – Памяти О.Н. Чюминой
- Funny Networking Poem and Do’s and Don’ts
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- One’s-Self I Sing. by Walt Whitman
- One Hour to Madness and Joy. by Walt Whitman
- Once I Pass’d Through a Populous City. by Walt Whitman
- On the Beach at Night, Alone. by Walt Whitman
- On Journeys Through The States. by Walt Whitman
- Old Ireland. by Walt Whitman
- Offerings. by Walt Whitman
- Of the Visage of Things. by Walt Whitman
- Of the Terrible Doubt of Appearances. by Walt Whitman
- Of Him I Love Day and Night. by Walt Whitman
- O You Whom I Often and Silently Come. by Walt Whitman
- O Tan-faced Prairie Boy. by Walt Whitman
- O Sun of Real Peace. by Walt Whitman
- O Star of France. by Walt Whitman
- O Living Always—Always Dying. by Walt Whitman
- O Hymen! O Hymenee! by Walt Whitman
- O Bitter Sprig! Confession Sprig! by Walt Whitman
- Now List to my Morning’s Romanza. by Walt Whitman
- Now Finale to the Shore. by Walt Whitman
- Not Youth Pertains to Me. by Walt Whitman
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.