A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.

A few random poems:
- On the Building of Springfield by Vachel Lindsay
- Night Song At Amalfi by Sara Teasdale
- Ballade Of Old Plays poem – Andrew Lang poems
- Nestling by Mark R Slaughter
- Neighing at the Slope by Mahmoud Darwish
- Medallion by Sylvia Plath
- The Hermit Goes Up Attic by Maxine Kumin
- Feroke
- Lying Down by Robert Desnos
- “Call Not The Royal Swede Unfortunate” by William Wordsworth
- A Soldier’s Song by Stephenie Tucker
- It’s Dark in Here by Shel Silverstein
- Delilah by Rudyard Kipling
- Pamela Griffiths – Pamela Griffiths
- Release by Marie Starr
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Up The Line by Will McKendree Carleton
- Uncle Sammy by Will McKendree Carleton
- The New Church Organ by Will McKendree Carleton
- The Littlle Black-Eyed Rebel by Will McKendree Carleton
- The House Where We Were Wed by Will McKendree Carleton
- The Fading Flower by Will McKendree Carleton
- The Editor’s Guests by Will McKendree Carleton
- The Country Doctor by Will McKendree Carleton
- Thanksgiving Day by Will McKendree Carleton
- Over The Hill From The Poor-House by Will McKendree Carleton
- Our Army Of The Dead by Will McKendree Carleton
- One And Two by Will McKendree Carleton
- Johnny Rich by Will McKendree Carleton
- Autumn Days by Will McKendree Carleton
- Apple-Blossoms by Will McKendree Carleton
- Two Songs Of Advent by Yvor Winters
- On Teaching The Young by Yvor Winters
- Dark spring by Yvor Winters
- Where My Sight Goes by Yvor Winters
- To Emily Dickinson by Yvor Winters
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.