A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
A few random poems:
- The Ballad of the King’s Jest by Rudyard Kipling
- EXISTENTIAL DILEMMMA by Satish Verma
- Composed At The Same Time And On The Same Occasion by William Wordsworth
- Where’s the Poet? poem – John Keats poems
- Immigranten by Ndue Ukaj
- Владимир Маяковский – Ода революции
- Вера Павлова – По счету
- The Way by Robert Creeley
- Sonnet 65: Since brass, nor stone, nor earth, nor boundless sea by William Shakespeare
- Robert Burns: Tho’ Cruel Fate Should Bid Us Part:
- Ольга Ермолаева – За Волгой, ударившись озем
- Владимир Бенедиктов – Праздник на биваке
- The Snake Charmer by Sarojini Naidu
- Sporting Acquaintances by Siegfried Sassoon
- Nutting by William Wordsworth
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Омар Хайям – Из допущенных в рай и повергнутых в ад
- Омар Хайям – Имей друзей поменьше, не расширяй их круг
- Омар Хайям – И теперь живу под гнетом страха
- Омар Хайям – И сиянье рая, и ада огни
- Омар Хайям – Грех Хайям совершил и совсем занемог
- Омар Хайям – Где вы, друзья! Где вольный ваш припев?
- Омар Хайям – Этот мастер всевышний
- Омар Хайям – Это время любви, словно тёплая осень
- Омар Хайям – Есть много вер, и все несхожи
- Омар Хайям – Если жизнь все равно неизбежно пройдет
- Омар Хайям – Если все государства, вблизи и вдали
- Омар Хайям – Если ты не впадаешь в молитвенный раж
- Омар Хайям – Если счастлив от счастья
- Омар Хайям – Если любишь, то стойко разлуку терпи
- Омар Хайям – Если гурия страстно целует в уста
- Омар Хайям – Если есть у тебя для жилья закуток
- Омар Хайям – Если бог не услышит меня в вышине
- Омар Хайям – Египет, Рим, Китай держи ты под пятой
- Омар Хайям – Двести лет проживешь, или тысячу лет
- Омар Хайям – Душой ты безбожник с Писаньем в руке
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.