A poem by Aeschylus (c. 525 – c. 456 Before Christ )
MESSENGER
Now at the Seventh Gate the seventh chief,
Thy proper mother’s son, I will announce,
What fortune for this city, for himself,
With curses he invoketh:–on the walls
Ascending, heralded as king, to stand,
With paeans for their capture; then with thee
To fight, and either slaying near thee die,
Or thee, who wronged him, chasing forth alive,
Requite in kind his proper banishment.
Such words he shouts, and calls upon the gods
Who o’er his race preside and Fatherland,
With gracious eye to look upon his prayers.
A well-wrought buckler, newly forged, he bears,
With twofold blazon riveted thereon,
For there a woman leads, with sober mien,
A mailed warrior, enchased in gold;
Justice her style, and thus the legend speaks:–
“This man I will restore, and he shall hold
The city and his father’s palace homes.”
Such the devices of the hostile chiefs.
‘Tis for thyself to choose whom thou wilt send;
But never shalt thou blame my herald-words.
To guide the rudder of the State be thine!
ETEOCLES
O heaven-demented race of Oedipus,
My race, tear-fraught, detested of the gods!
Alas, our father’s curses now bear fruit.
But it beseems not to lament or weep,
Lest lamentations sadder still be born.
For him, too truly Polyneikes named,–
What his device will work we soon shall know;
Whether his braggart words, with madness fraught,
Gold-blazoned on his shield, shall lead him back.
Hath Justice communed with, or claimed him hers,
Guided his deeds and thoughts, this might have been;
But neither when he fled the darksome womb,
Or in his childhood, or in youth’s fair prime,
Or when the hair thick gathered on his chin,
Hath Justice communed with, or claimed him hers,
Nor in this outrage on his Fatherland
Deem I she now beside him deigns to stand.
For Justice would in sooth belie her name,
Did she with this all-daring man consort.
In these regards confiding will I go,
Myself will meet him. Who with better right?
Brother to brother, chieftain against chief,
Foeman to foe, I’ll stand. Quick, bring my spear,
My greaves, and armor, bulwark against stones.
A few random poems:
- On the Death of a Young Gentleman by Phillis Wheatley
- A Tale of Elsinore by William Topaz McGonagall
- Алексей Толстой – Ты почто, злая кручинушка
- Gunga Din by Rudyard Kipling
- Владимир Бенедиктов – Певец
- Валерий Брюсов – Голос иных миров
- Exposed On The Cliffs Of The Heart by Rainer Maria Rilke
- Exit by Rita Dove
- Or from that Sea of Time. by Walt Whitman
- The Bard by Thomas Gray
- Николай Карамзин – К Дмитриеву (Многие барды, лиру настроив)
- New Land
- “Once we were happy” by Torquato Tasso
- Ольга Седакова – Несчастен
- Wintering by Sylvia Plath
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Extempore On Some Commemorations Of Thomson:
- Robert Burns: Epigram On Seeing Miss Fontenelle In A Favourite Character:
- Robert Burns: The Rights Of Woman: An Occasional Address. Spoken by Miss Fontenelle on her benefit night, November 26, 1792.
- Robert Burns: Auld Rob Morris:
- Robert Burns: Highland Mary:
- Robert Burns: My Wife’s A Winsome Wee Thing:
- Robert Burns: I’ll Meet Thee On The Lea Rig:
- Robert Burns: Fragment Of Song:
- Robert Burns: Saw Ye Bonie Lesley:
- Robert Burns: Love For Love:
- Robert Burns: Bessy And Her Spinnin’ Wheel:
- Robert Burns: The Country Lass:
- Robert Burns: The Deil’s Awa Wi’ The Exciseman:
- Robert Burns: The Deuks Dang O’er My Daddie:
- Robert Burns: O Can Ye Labour Lea?:
- Robert Burns: The Slave’s Lament:
- Robert Burns: Kellyburn Braes:
- Robert Burns: Lady Mary Ann:
- Robert Burns: Sic A Wife As Willie Had:
- Robert Burns: My Collier Laddie:
More external links (open in a new tab):
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Parallel Translations of Poetry
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.