I’LL on; for what should hinder me
From loving and enjoying thee?
Thou canst not those exceptions make,
Which vulgar, sordid mortals take-
That my fate’s too mean and low;
‘T were pity I should love thee so,
If that dull cause could hinder me
In loving and enjoying thee.
It does not me a whit displease,
That the rich all honours seize;
That you all titles make your own,
Are valiant, learned, wise, alone:
But, if you claim o’er women too
The power which over men ye do;
If you alone must lovers be;
For that, Sirs, you must pardon me.
Rather than lose what does so near
Concern my life and being here,
I’ll some such crooked ways invent,
As you, or your forefathers, went:
I’ll flatter or oppose the king,
Turn Puritan, or any thing;
I’ll force my mind to arts so new:
Grow rich, and love as well as you.
But rather thus let me remain,
As man in paradise did reign;
When perfect love did so agree
With innocence and poverty,
Adam did no jointure give;
Himself was jointure to his Eve:
Untouch’d with avarice yet, or pride,
The rib came freely back t’ his side.
A curse upon the man who taught
Women, that love was to be bought!
Rather dote only on your gold,
And that with greedy avarice hold;
For, if woman too submit
To that, and sell herself for it,
Fond lover! you a mistress have
Of her that’s but your fellow-slave.
What should those poets mean of old
That made their God to woo in gold?
Of all men, sure, they had no cause
To bind love to such costly laws;
And yet I scarcely blame them now;
For who, alas! would not allow,
That women should such gifts receive,
Could they, as he, be what they give?
If thou, my dear, thyself shouldst prize,
Alas! what value would suffice?
The Spaniard could not do’t, though he
Should to both Indies jointure thee.
Thy beauties therefore wrong will take,
If thou shouldst any bargain make;
To give all, will befit thee well;
But not at under-rates to sell.
Bestow thy beauty then on me,
Freely, as nature gave’t to thee;
‘T is an exploded popish thought
To think that heaven may be bought.
Prayers, hymns, and praises, are the way,
And those my thankful Muse shall pay:
Thy body, in my verse enshrin’d,
Shall grow immortal as thy mind.
I’ll fix thy title next in fame
To Sacharissa’s well-sung name.
So faithfully will I declare
What all thy wondrous beauties are,
That when, at the last great assize,
All women shall together rise,
Men straight shall cast their eyes on thee
And know at first that thou art she.

A few random poems:
- The Arrivals by Sharon Olds
- Yet Gentle Will the Griffin Be by Vachel Lindsay
- Youth
- In The Seven Woods by William Butler Yeats
- When I Have Fears That I May Cease To Be poem – John Keats poems
- Sonnet 8: Music to hear, why hear’st thou music sadly? by William Shakespeare
- Stretch Mark Cream – How Creams Help Remove Stretch Marks
- Evening Hawk by Robert Penn Warren
- Pay your last respects by Vinaya Kumar Hanumanthappa
- Владислав Крапивин – Гонка
- He Wishes His Beloved Were Dead by William Butler Yeats
- Images by Mary Etta Metcalf
- Alchemy by Sara Teasdale
- Oh fair enough are sky and plain poem – A. E. Housman
- The Poet poem – Alexander Pushkin
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- In Commendation Of Musick by William Strode
- Her Epitaph by William Strode
- For A Gentleman, Who, Kissinge His Friend At His Departure Left A Signe Of Blood On Her by William Strode
- Epitaph On Mr. Bridgeman by William Strode
- Consolatorium, Ad Parentes by William Strode
- Chloris in the Snow by William Strode
- Anthem For Good Fryday by William Strode
- An Epitaph On Sr John Walter, Lord Cheife Baron by William Strode
- An Epitaph On Mr. Fishborne The Great London Benefactor, And His Executor by William Strode
- An Eare-Stringe by William Strode
- An Antheme by William Strode
- A Watch-String by William Strode
- A Watch Sent Home To Mrs. Eliz: King, Wrapt In Theis Verses by William Strode
- A Translation Of The Nightingale Out Of Strada by William Strode
- A Superscription On Sir Philip Sidney’s Arcadia, Sent For A Token by William Strode
- A Strange Gentlewoman Passing By His Window by William Strode
- A Song On The Baths by William Strode
- A Song On A Sigh by William Strode
- A Riddle: On A Kiss by William Strode
- A Purse-String by William Strode
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.