TELL me, O tell, what kind of thing is Wit,
Thou who Master art of it.
For the First matter loves Variety less ;
Less Women love ‘t, either in Love or Dress.
A thousand different shapes it bears,
Comely in thousand shapes appears.
Yonder we saw it plain ; and here ’tis now,
Like Spirits in a Place, we know not How.
London that vents of false Ware so much store,
In no Ware deceives us more.
For men led by the Colour, and the Shape,
Like Zeuxes Birds fly to the painted Grape ;
Some things do through our Judgment pass
As through a Multiplying Glass.
And sometimes, if the Object be too far,
We take a Falling Meteor for a Star.
Hence ’tis a Wit that greatest word of Fame
Grows such a common Name.
And Wits by our Creation they become,
Just so, as Tit’lar Bishops made at Rome.
‘Tis not a Tale, ’tis not a Jest
Admir’d with Laughter at a feast,
Nor florid Talk which can that Title gain ;
The Proofs of Wit for ever must remain.
‘Tis not to force some lifeless Verses meet
With their five gouty feet.
All ev’ry where, like Mans, must be the Soul,
And Reason the Inferior Powers controul.
Such were the Numbers which could call
The Stones into the Theban wall.
Such Miracles are ceast ; and now we see
No Towns or Houses rais’d by Poetrie.
Yet ’tis not to adorn, and gild each part ;
That shows more Cost, than Art.
Jewels at Nose and Lips but ill appear ;
Rather than all things Wit, let none be there.
Several Lights will not be seen,
If there be nothing else between.
Men doubt, because they stand so thick i’ th’ skie,
If those be Stars which paint the Galaxie.
‘Tis not when two like words make up one noise ;
Jests for Dutch Men, and English Boys.
In which who finds out Wit, the same may see
In An’grams and Acrostiques Poetrie.
Much less can that have any place
At which a Virgin hides her face,
Such Dross the Fire must purge away ; ’tis just
The Author Blush, there where the Reader must.
‘Tis not such Lines as almost crack the Stage
When Bajazet begins to rage.
Nor a tall Meta’phor in the Bombast way,
Nor the dry chips of short lung’d Seneca.
Nor upon all things to obtrude,
And force some odd Similitude.
What is it then, which like the Power Divine
We only can by Negatives define ?
In a true piece of Wit all things must be,
Yet all things there agree.
As in the Ark, joyn’d without force or strife,
All Creatures dwelt ; all Creatures that had Life.
Or as the Primitive Forms of all
(If we compare great things with small)
Which without Discord or Confusion lie,
In that strange Mirror of the Deitie.
But Love that moulds One Man up out of Two,
Makes me forget and injure you.
I took you for my self sure when I thought
That you in any thing were to be Taught.
Correct my error with thy Pen ;
And if any ask me then,
What thing right Wit, and height of Genius is,
I’ll onely shew your Lines, and say, ‘Tis This.
A few random poems:
- Eidólons. by Walt Whitman
- Oh could my Mind
- Memoriam A. H. H.: 44. How fares it with the happy dead? poem – Lord Alfred Tennyson poems
- The Declaration of London by Rudyard Kipling
- Владимир Высоцкий – Странные скачки
- Владимир Корнилов – Повторение
- Commerce by Satish Verma
- The Story Of Our Lives by Mark Strand
- Did you call me Love by Rohini bhatia singh
- On the Wye in May poem – Amy Levy poems | Poems and Poetry
- Robert Burns: Raving Winds Around Her Blowing: I composed these verses on Miss Isabella M’Leod of Raza, alluding to her feelings on the death of her sister, and the still more melancholy death of her sister’s husband, the late Earl of Loudoun, who shot himself out of sheer heart-break at some mortifications he suffered, owing to the deranged state of his finances.-R.B., 1971.
- Джон Донн – Лекция о тени
- Transcended Land Of Love by Vaishnavi Prakash
- Release poem – A. R. Ammons poems | Poetry Monster
- Borrowed Verses by Subhash Misra
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Poetic Principle by Mark Olynyk
- She and Drugs by Mark R Slaughter
- The Other Side of Panic by Martina Reisz Newberry
- Sculpture of Debris on the Waterfront by Martina Reisz Newberry
- Question mark remarks by Mark Miller
- The joyful things in life by Martin Smith
- The Frantic by Mark Miller
- Postures by Martina Reisz Newberry
- The End of the Argument by Martina Reisz Newberry
- My Father’s Hats by Mark Irwin
- The Dreadful Has Already Happened by Mark Strand
- The Dragon and The Unicorn by Mary Etta Metcalf
- Please Don’t Judas Me by Mark Miller
- Never Sure Which You Are by Mary Etta Metcalf
- The Last Wolf by Mary TallMountain
- Nestling by Mark R Slaughter
- The Homeless Man by Mary TallMountain
- My Words Embrace by Mary Etta Metcalf
- Telescope by Mark R Slaughter
- My Mother On An Evening In Late Summer by Mark Strand
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.