TELL me, O tell, what kind of thing is Wit,
Thou who Master art of it.
For the First matter loves Variety less ;
Less Women love ‘t, either in Love or Dress.
A thousand different shapes it bears,
Comely in thousand shapes appears.
Yonder we saw it plain ; and here ’tis now,
Like Spirits in a Place, we know not How.
London that vents of false Ware so much store,
In no Ware deceives us more.
For men led by the Colour, and the Shape,
Like Zeuxes Birds fly to the painted Grape ;
Some things do through our Judgment pass
As through a Multiplying Glass.
And sometimes, if the Object be too far,
We take a Falling Meteor for a Star.
Hence ’tis a Wit that greatest word of Fame
Grows such a common Name.
And Wits by our Creation they become,
Just so, as Tit’lar Bishops made at Rome.
‘Tis not a Tale, ’tis not a Jest
Admir’d with Laughter at a feast,
Nor florid Talk which can that Title gain ;
The Proofs of Wit for ever must remain.
‘Tis not to force some lifeless Verses meet
With their five gouty feet.
All ev’ry where, like Mans, must be the Soul,
And Reason the Inferior Powers controul.
Such were the Numbers which could call
The Stones into the Theban wall.
Such Miracles are ceast ; and now we see
No Towns or Houses rais’d by Poetrie.
Yet ’tis not to adorn, and gild each part ;
That shows more Cost, than Art.
Jewels at Nose and Lips but ill appear ;
Rather than all things Wit, let none be there.
Several Lights will not be seen,
If there be nothing else between.
Men doubt, because they stand so thick i’ th’ skie,
If those be Stars which paint the Galaxie.
‘Tis not when two like words make up one noise ;
Jests for Dutch Men, and English Boys.
In which who finds out Wit, the same may see
In An’grams and Acrostiques Poetrie.
Much less can that have any place
At which a Virgin hides her face,
Such Dross the Fire must purge away ; ’tis just
The Author Blush, there where the Reader must.
‘Tis not such Lines as almost crack the Stage
When Bajazet begins to rage.
Nor a tall Meta’phor in the Bombast way,
Nor the dry chips of short lung’d Seneca.
Nor upon all things to obtrude,
And force some odd Similitude.
What is it then, which like the Power Divine
We only can by Negatives define ?
In a true piece of Wit all things must be,
Yet all things there agree.
As in the Ark, joyn’d without force or strife,
All Creatures dwelt ; all Creatures that had Life.
Or as the Primitive Forms of all
(If we compare great things with small)
Which without Discord or Confusion lie,
In that strange Mirror of the Deitie.
But Love that moulds One Man up out of Two,
Makes me forget and injure you.
I took you for my self sure when I thought
That you in any thing were to be Taught.
Correct my error with thy Pen ;
And if any ask me then,
What thing right Wit, and height of Genius is,
I’ll onely shew your Lines, and say, ‘Tis This.
A few random poems:
- The Fairy Bridal-Hymn by Vachel Lindsay
- Sonnet CXXXII by William Shakespeare
- Такахама Кёси – Мох зеленый примят
- Николай Заболоцкий – Летний вечер
- Владимир Бенедиктов – Пещеры Кизиль-коба
- Love by William Shakespeare
- The Fallen House
- In A Time Of Dearth poem – Amy Lowell poems | Poems and Poetry
- Владимир Лифшиц – Грустная шутка
- Canadian Winter by Mike Yuan
- The Keys of Morning by Walter de la Mare
- The Princess (part 6) poem – Lord Alfred Tennyson poems
- The Daughter Goes To Camp by Sharon Olds
- Владимир Британишский – Державин был солдат
- Николай Заболоцкий – Жена
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Graydigger’s Home by William Stafford
- For My Young Friends Who Are Afraid by William Stafford
- Atavism by William Stafford
- Ask Me by William Stafford
- Allegiances by William Stafford
- Across Kansas by William Stafford
- A Ritual To Read To Each Other by William Stafford
- Sonnet 127: In the old age black was not counted fair by William Shakespeare
- Sonnet 126: O thou, my lovely boy, who in thy power by William Shakespeare
- Sonnet 125: Were’t aught to me I bore the canopy by William Shakespeare
- Sonnet 124: If my dear love were but the child of state by William Shakespeare
- Sonnet 123: No, Time, thou shalt not boast that I do change by William Shakespeare
- Sonnet 122: Thy gift, thy tables, are within my brain by William Shakespeare
- Sonnet 121: Tis better to be vile than vile esteemed by William Shakespeare
- Sonnet 120: That you were once unkind befriends me now by William Shakespeare
- Sonnet 11: As fast as thou shalt wane, so fast thou grow’st by William Shakespeare
- Sonnet 119: What potions have I drunk of Siren tears by William Shakespeare
- Sonnet 118: Like as to make our appetite more keen by William Shakespeare
- Sonnet 117: Accuse me thus: that I have scanted all by William Shakespeare
- Sonnet 116: Let me not to the marriage of true minds by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.