TELL me, O tell, what kind of thing is Wit,
Thou who Master art of it.
For the First matter loves Variety less ;
Less Women love ‘t, either in Love or Dress.
A thousand different shapes it bears,
Comely in thousand shapes appears.
Yonder we saw it plain ; and here ’tis now,
Like Spirits in a Place, we know not How.
London that vents of false Ware so much store,
In no Ware deceives us more.
For men led by the Colour, and the Shape,
Like Zeuxes Birds fly to the painted Grape ;
Some things do through our Judgment pass
As through a Multiplying Glass.
And sometimes, if the Object be too far,
We take a Falling Meteor for a Star.
Hence ’tis a Wit that greatest word of Fame
Grows such a common Name.
And Wits by our Creation they become,
Just so, as Tit’lar Bishops made at Rome.
‘Tis not a Tale, ’tis not a Jest
Admir’d with Laughter at a feast,
Nor florid Talk which can that Title gain ;
The Proofs of Wit for ever must remain.
‘Tis not to force some lifeless Verses meet
With their five gouty feet.
All ev’ry where, like Mans, must be the Soul,
And Reason the Inferior Powers controul.
Such were the Numbers which could call
The Stones into the Theban wall.
Such Miracles are ceast ; and now we see
No Towns or Houses rais’d by Poetrie.
Yet ’tis not to adorn, and gild each part ;
That shows more Cost, than Art.
Jewels at Nose and Lips but ill appear ;
Rather than all things Wit, let none be there.
Several Lights will not be seen,
If there be nothing else between.
Men doubt, because they stand so thick i’ th’ skie,
If those be Stars which paint the Galaxie.
‘Tis not when two like words make up one noise ;
Jests for Dutch Men, and English Boys.
In which who finds out Wit, the same may see
In An’grams and Acrostiques Poetrie.
Much less can that have any place
At which a Virgin hides her face,
Such Dross the Fire must purge away ; ’tis just
The Author Blush, there where the Reader must.
‘Tis not such Lines as almost crack the Stage
When Bajazet begins to rage.
Nor a tall Meta’phor in the Bombast way,
Nor the dry chips of short lung’d Seneca.
Nor upon all things to obtrude,
And force some odd Similitude.
What is it then, which like the Power Divine
We only can by Negatives define ?
In a true piece of Wit all things must be,
Yet all things there agree.
As in the Ark, joyn’d without force or strife,
All Creatures dwelt ; all Creatures that had Life.
Or as the Primitive Forms of all
(If we compare great things with small)
Which without Discord or Confusion lie,
In that strange Mirror of the Deitie.
But Love that moulds One Man up out of Two,
Makes me forget and injure you.
I took you for my self sure when I thought
That you in any thing were to be Taught.
Correct my error with thy Pen ;
And if any ask me then,
What thing right Wit, and height of Genius is,
I’ll onely shew your Lines, and say, ‘Tis This.
A few random poems:
- Lament Of Mary Queen Of Scots by William Wordsworth
- Владимир Британишский – Тропа виляла
- Алексей Толстой – В альбом (Стрелок, на той поляне)
- Ольга Берггольц – Полуночная
- A March in the Ranks, Hard-prest. by Walt Whitman
- The Gardener XLVI: You Left Me by Rabindranath Tagore
- At The Tomb Of Napoleon
- Низами Гянджеви – Увы, на этой лужайке, где согнут страстью я,
- Владимир Бенедиктов – Чёрный цвет
- Sonnet CXLII by William Shakespeare
- Let Him In by Vishnu J Mohan
- Blow of an ax by Yosa Buson
- Михаил Ломоносов – Надпись на день восшествия на престол Ее Величества 1753 года
- Игорь Северянин – Синее
- Новелла Матвеева – Отражённым светом
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 71: No longer mourn for me when I am dead by William Shakespeare
- Sonnet 70: That thou art blamed shall not be thy defect by William Shakespeare
- Sonnet 6: Then let not winter’s ragged hand deface by William Shakespeare
- Sonnet 69: Those parts of thee that the world’s eye doth view by William Shakespeare
- Sonnet 68: Thus is his cheek the map of days outworn by William Shakespeare
- Sonnet 67: Ah, wherefore with infection should he live by William Shakespeare
- Sonnet 66: Tired with all these, for restful death I cry by William Shakespeare
- Sonnet 65: Since brass, nor stone, nor earth, nor boundless sea by William Shakespeare
- Sonnet 64: When I have seen by Time’s fell hand defaced by William Shakespeare
- Sonnet 63: Against my love shall be, as I am now by William Shakespeare
- Sonnet 62: Sin of self-love possesseth all mine eye by William Shakespeare
- Sonnet 61: Is it thy will thy image should keep open by William Shakespeare
- Sonnet 60: Like as the waves make towards the pebbled shore by William Shakespeare
- Sonnet 5: Those hours, that with gentle work did frame by William Shakespeare
- Sonnet 59: If there be nothing new, but that which is by William Shakespeare
- Sonnet 58: That god forbid, that made me first your slave by William Shakespeare
- Sonnet 57: Being your slave, what should I do but tend by William Shakespeare
- Sonnet 56: Sweet love, renew thy force, be it not said by William Shakespeare
- Sonnet 55: Not marble, nor the gilded monuments by William Shakespeare
- Sonnet 95: How sweet and lovely dost thou make the shame by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.