THE thirsty earth soaks up the rain,
And drinks and gapes for drink again;
The plants suck in the earth, and are
With constant drinking fresh and fair;
The sea itself (which one would think
Should have but little need of drink)
Drinks twice ten thousand rivers up,
So fill’d that they o’erflow the cup.
The busy Sun (and one would guess
By ‘s drunken fiery face no less)
Drinks up the sea, and when he ‘s done,
The Moon and Stars drink up the Sun:
They drink and dance by their own light,
They drink and revel all the night:
Nothing in Nature ‘s sober found,
But an eternal health goes round.
Fill up the bowl, then, fill it high,
Fill all the glasses there-for why
Should every creature drink but I?
Why, man of morals, tell me why?
A few random poems:
- Robert Burns: Sweet Tibbie Dunbar:
- Sonnet Xiv
- Why
- Where fair Sabrina’s wand’ring currents flow by William Somervile
- A Grace after Meat by Robert Burns
- A Poet I knew by Martin Zakovski
- Bring, In This Timeless Grave To Throw poem – A. E. Housman
- A Cry by Sara Teasdale
- “`Were I a Poet, I would dwell” poem – Alfred Austin
- Acknowledgment. by Sidney Lanier
- Sonnet 25: Let those who are in favour with their stars by William Shakespeare
- Easter Morning poem – Amy Clampitt poems | Poems and Poetry
- Robert Burns: A Rose-Bud By My Early Walk:
- Intorduction to the Songs of Experience by William Blake
- A Song of Travel by Rudyard Kipling
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Night-Piece by Siegfried Sassoon
- Night on the Convoy by Siegfried Sassoon
- Morning-Land by Siegfried Sassoon
- Morning-Glory by Siegfried Sassoon
- Morning Express by Siegfried Sassoon
- Miracles by Siegfried Sassoon
- Middle-Ages by Siegfried Sassoon
- Memory by Siegfried Sassoon
- Memorial Tablet by Siegfried Sassoon
- Lovers by Siegfried Sassoon
- Limitations by Siegfried Sassoon
- Lamentations by Siegfried Sassoon
- Joy-Bells by Siegfried Sassoon
- Invocation by Siegfried Sassoon
- ‘In the Pink’ by Siegfried Sassoon
- In Me, Past, Present, Future meet by Siegfried Sassoon
- In Barracks by Siegfried Sassoon
- Idyll by Siegfried Sassoon
- I Stood With the Dead by Siegfried Sassoon
- How to Die by Siegfried Sassoon
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.