LIBERAL Nature did dispence
To all things Arms for their defence;
And some she arms with sin’ewy force,
And some with swiftness in the course;
Some with hard Hoofs, or forked claws,
And some with Horns, or tusked jaws.
And some with Scales, and some with Wings,
And some with Teeth, and some with Stings.
Wisdom to Man she did afford,
Wisdom for Shield, and Wit for Sword.
What to beauteous Woman-kind,
What Arms, what Armour has she’assigne’d?
Beauty is both; for with the Faire
What Arms, what Armour can compare?
What Steel, what Gold, or Diamond,
More Impassible is found?
And yet what Flame, what Lightning ere
So great an Active force did bear?
They are all weapon, and they dart
Like Porcupines from every part.
Who can, alas, their strength express,
Arm’d when they themselves undress,
Cap a pe* with Nakedness?
A few random poems:
- Ольга Берггольц – В ложе Цимлянского моря
- My November Guest by Robert Frost
- Out over the Forth (Song) by Robert Burns
- Young Love poem – Andrew Marvell poems
- Наум Коржавин – На друга-поэта
- Less Than The Cloud To The Wind by Sara Teasdale
- Evolution by Sharmagne Leland-St. John
- Afternoon Rain in State Street poem – Amy Lowell poems | Poems and Poetry
- Владимир Высоцкий – Люблю тебя
- The Wizard Way poem – Aleister Crowley poems | Poetry Monster
- Xai Kou
- Fidelity by William Wordsworth
- Butterfly by Ramesh Anand
- Pandering by Satish Verma
- Echo by Thomas Moore
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Вера Звягинцева – Шафрановым загаром
- Вера Звягинцева – Психея
- Вера Звягинцева – Пойдёте пешком на кладбище
- Вера Звягинцева – Околдовано сердце моё
- Вера Звягинцева – Не пастушка и не Психея
- Вера Звягинцева – На смерть Есенина
- Вера Звягинцева – Моя любовь к Армении похожа
- Вера Звягинцева – Летите, летите зелёные долы
- Вера Звягинцева – Карусель
- Вера Звягинцева – Качаешься в гробу стеклянном
- Вера Звягинцева – Другу-переводчику
- Вера Звягинцева – А если ты любишь не можешь
- Вергилий – Скопа
- Вергилий – Лидия
- Вергилий – Георгики
- Вергилий – Буколики
- Вероника Тушнова – Молчание
- Вероника Тушнова – Мне говорят, нету такой любви
- Вероника Тушнова – Мать
- Вероника Тушнова – Люблю
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.