A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
A few random poems:
- Владислав Ходасевич – Нет, молодость, ты мне была верна
- The blanket is same always by Neelam Sinha
- Владимир Корнилов – Вязальщица
- Autumn – The Third Pastoral, or Hylas and Ægon poem – Alexander Pope
- REVOLT OF A SUTRA by Satish Verma
- IN VINCULUM by PEGGY AYLSWORTH
- Федор Сваровский – Погребение мехоса
- Joy and Pleasure by William Henry Davies
- Нина Веселова – Жена
- Money, for a Decent Human Life without You by Mike Yuan
- Василий Жуковский – Из альбома, подаренного Ростопчиной (Пушкин)
- Beauty
- Владимир Высоцкий – Смотрины
- Torn Shades by Thomas Lux
- Виктор Калитин – Фиалка
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Fear by Vinko Kalinić
- Even if I don’t hear your voice, I know by Vinko Kalinic
- We embraced and talked about rains by Vinko Kalinic
- Twins by Vinko Kalinić
- To a friend by Vinko Kalinić
- Those seven days by Vinaya Kumar Hanumanthappa
- The face wanted by Vinko Kalinić
- The Boy by Vinko Kalinić
- Summer We Called Home by Vinita Agrawal
- Story of a Drunk by Violet Uram
- Sometimes by Vinko Kalinić
- See, how I love you by Vinko Kalinić
- Sea God and the wind rose by Vinko Kalinić
- Respect her by Vinaya Kumar Hanumanthappa
- Requiem for Two by Vinko Kalinić
- Raw Silk by Vinita Agrawal
- Raise the head, child by Vinko Kalinić
- Pure call of the wilderness by Vinko Kalinic
- Pigeon Haiku by Violet Uram
- Peddler Road Flyover by Vinita Agrawal
More external links (open in a new tab):
Doska or the Board – write anything
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.