Underneath this marble stone,
Lie two beauties joyn’d in one.
Two whose loves, death could not sever,
For both liv’d, both dy’d together.
Two whose soules, being too divine
For earth, in their own spheare now shine,
Who have left their loves to Fame,
And their earth to earth againe.
A few random poems:
- Константин Батюшков – Мои пенаты
- The Gardener LXIX: I Hunt for the Golden Stag by Rabindranath Tagore
- Love’s Blindness poem – Alfred Austin
- The Flower-School by Rabindranath Tagore
- Nell Barnes by William Henry Davies
- Николай Карамзин – Сильфида
- No, Love Is Not Dead by Robert Desnos
- The Half-way House poem – Gerard Manley Hopkins poems
- Sonnet 136: If thy soul check thee that I come so near by William Shakespeare
- Dawn
- Ольга Высотская – Я зубы стисну, губы закушу
- Platonick Love
- Epigram on Jessy Staig’s recovery by Robert Burns
- A Cozy Little Room by Mary Etta Metcalf
- On Female Inconstancy (From The Greek) by William Cowper
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Verses To Collector Mitchell :
- Robert Burns: Jockey’s Taen The Parting Kiss:
- Robert Burns: Mally’s Meek, Mally’s Sweet:
- Robert Burns: Crowdie Ever Mair:
- Robert Burns: News, Lassies, News:
- Robert Burns: The Wren’s Nest: Fragment
- Robert Burns: Leezie Lindsay: Fragment
- Robert Burns: Inscription: Written on the blank leaf of a copy of the last edition of my poems, presented to the Lady whom, in so many fictitious reveries of passion, but with the most ardent sentiments of real friendship, I have so often sung under the name of-“Chloris.”
- Robert Burns: O That’s The Lassie O’ My Heart :
- Robert Burns: Song Inscribed To Alexander Cunningham:
- Robert Burns: O Bonie Was Yon Rosy Brier:
- Robert Burns: This Is No My Ain Lassie:
- Robert Burns: The Braw Wooer:
- Robert Burns: Why, Why Tell The Lover: Fragment,
- Robert Burns: Forlorn, My Love, No Comfort Near:
- Robert Burns: Their Groves O’Sweet Myrtle :
- Robert Burns: Twas Na Her Bonie Blue E’e:
- Robert Burns: Mark Yonder Pomp Of Costly Fashion:
- Robert Burns: How Cruel Are The Parents: Altered from an old English song. tune-“John Anderson, my jo.”
- Robert Burns: On Chloris Being Ill:
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.