A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Scots Prologue for Mr. Sutherland by Robert Burns
- Sappho Redivivus: A Fragment by Robert Burns
- Robert Bruce’s March to Bannockburn (Song) by Robert Burns
- Rhyming Reply to a Note from Captain Riddell by Robert Burns
- Reply to the Threat of a Censorious Critic by Robert Burns
- Reply to an Announcement by J. Rankine by Robert Burns
- Reply to a Trimming Epistle, received from a Tailor by Robert Burns
- Remorseful Apology by Robert Burns
- Remorse: A Fragment by Robert Burns
- Prologue, spoken by Mr. Woods at Edinburgh by Robert Burns
- Prologue spoken at the Theatre of Dumfries by Robert Burns
- Prayer—O Thou Dread Power by Robert Burns
- Poor Mailie’s Elegy by Robert Burns
- Poem on Sensibility by Robert Burns
- Song—A Waukrife Minnie by Robert Burns
- Song—A Rose-bud by my Early Walk by Robert Burns
- Song—A Man’s a Man for a’ that by Robert Burns
- Song—A Lass wi’ a Tocher by Robert Burns
- Song—A Health to them that’s awa by Robert Burns
- Song—A Health to ane I loe dear by Robert Burns
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.