A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
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- A Fantasy by Sara Teasdale
- Benediction by Rabindranath Tagore
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- On A March Day by Sara Teasdale
- The Meditation Of The Old Fisherman by William Butler Yeats
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- An Afternoon by Raymond Carver
- Watching the Bird Watcher by Richard Schiffman
- Virtual Impressions by Renu Ayyar
- Two Wings by Ricardo Sternberg
- They won’t Know by Rifat Ilgaz
- The Laws of God, The Laws of Man by A. E. Housman
- The Invention of Honey by Ricardo Sternberg
- Swallows by Richard Schiffman
- Supply=Demand by Ricardo Sternberg
- Skyscrapers by Rifat Ilgaz
- Silence by Riju Dave
- Rainbow by Ria De Torres
- Only If I Know by Rifat Ilgaz
- My Search by Renu Ayyar
- My Partner in Crime by Rennu Ayyar
- My Last Poem by Rifat Ilgaz
- Man Versus Satan by Shahida Latif
- Lovers in Cafe by Aiyah De Torres
- LET Go.. by Renu Ayyar
- In Poetry by Rifat Ilgaz
More external links (open in a new tab):
Doska or the Board – write anything
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.