A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- women picking edible plants by Raj Arumugan
- what I want to know by Raj Arumugam
- what a poet must do by Raj Arumugam
- was it you, mooon? by Raj Arumugam
- walking with a staff by Raj Arumugam
- The village girl models for the artist, 1904 by Raj Arumugam
- The Discovery of the Kama Sutra by Raj Arumugam
- Taking yourself too seriously by Raj Arumugam
- Sohni and her love Mahinwal by Raj Arumugam
- sadness from the night by Raj Arumugam
- run home, run home butterfly by Raj Arumugam
- Rip van Winkle’s dream by Raj Arumugam
- Revenge of the Ghost of the Betrayed Husband by Raj Arumugam
- Poet Herodia of ancient Pincaeia by Raj Arumugam
- pissed-off cow by Raj Arumugam
- on the edge of the seat by Raj Arumugam
- on our conditioning by Raj Arumugam
- Old Man Poet by Raj Arumugam
- oh no – not another love poem! by Raj Arumugam
- of spiritual matters by Raj Arumugam
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.