A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?
A few random poems:
- To Spirituality by Nithin Purple
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Two Or Three: A Recipe To Make A Cuckold poem – Alexander Pope
- The Riddle of the World poem – Alexander Pope
- The Rape of the Lock: Canto 5 poem – Alexander Pope
- The Rape of the Lock: Canto 4 poem – Alexander Pope
- The Rape of the Lock: Canto 3 poem – Alexander Pope
- The Rape of the Lock: Canto 2 poem – Alexander Pope
- The Rape of the Lock: Canto 1 poem – Alexander Pope
- The Rape of the Lock poem – Alexander Pope
- The Iliad: Book VI (excerpt) poem – Alexander Pope
- The Dying Christian to His Soul poem – Alexander Pope
- Summer poem – Alexander Pope
- Sound And Sense poem – Alexander Pope
- Solitude: An Ode poem – Alexander Pope
- Solitude poem – Alexander Pope
- On a certain Lady at Court poem – Alexander Pope
- Ode on Solitude poem – Alexander Pope
- Lines on Curll poem – Alexander Pope
- Impromptu, to Lady Winchelsea poem – Alexander Pope
- Imitations of Horace: The First Epistle of the Second Book poem – Alexander Pope
- From an Essay on Man poem – Alexander Pope
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.