A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Владимир Бенедиктов – Певец
- The Hands That Hang Down
- Ballad of the Goodly Fere poem – Ezra Pound poems
- Sin and Prayer by Satish Verma
- Chain Of Pearls by Rabindranath Tagore
- Геннадий Айги – БЕЗ НАЗВАНИЯ
- Westward on the High-Hilled Plains poem – A. E. Housman
- Love’s Fitfulness poem – Alfred Austin
- Жан де Лафонтен – Две Козы
- Orlando Furioso Canto 8 by Ludovico Ariosto
- Chanson D’Amour by Shaunna Harper
- The Illinois Village by Vachel Lindsay
- It is the Muses by Sappho
- The Emotion Line by Rita Odessa Villaruel
- Rain falling by Vladimir Marku
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Do You Know What It’s Like
- That devil of a man
- Because We Never Practiced With The Escape Chamber poem – Alice Fulton poems | Poetry Monster
- Aplogize
- Alone
- About Face poem – Alice Fulton poems | Poetry Monster
- To the Muse poem – Aleksandr Blok poems | Poetry Monster
- Those Born In Obscure Times poem – Aleksandr Blok poems | Poetry Monster
- Those Born In Obscure Times poem – Aleksandr Blok poems | Poetry Monster
- The Twelve poem – Aleksandr Blok poems | Poetry Monster
- The Stranger poem – Aleksandr Blok poems | Poetry Monster
- The Faithless Shadows. poem – Aleksandr Blok poems | Poetry Monster
- The Death of Grandfather poem – Aleksandr Blok poems | Poetry Monster
- The Snowy Spring Is Raging Mad poem – Aleksandr Blok poems | Poetry Monster
- The Scythians poem – Aleksandr Blok poems | Poetry Monster
- Street Circus poem – Aleksandr Blok poems | Poetry Monster
- The Snowy Spring Is Raging Mad poem – Aleksandr Blok poems | Poetry Monster
- On the Field of Kulicovo poem – Aleksandr Blok poems | Poetry Monster
- I Wait For You… poem – Aleksandr Blok poems | Poetry Monster
- I Prefer the Gorgeous Freedom poem – Aleksandr Blok poems | Poetry Monster
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.