A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- said, unsaid by tulip
- Listen To The Mustn’ts by Shel Silverstein
- A Wicker Basket by Robert Creeley
- It Is No Spirit Who From Heaven Hath Flown by William Wordsworth
- Audience With A Poet Written December 13 1976 For Robert E Hayden Ph D
- Melinda Mae by Shel Silverstein
- They are Cruel by Rixa White
- Sonnet Xiv
- Robert Burns: Epigram To Miss Ainslie In Church: Who was looking up the text during sermon.
- Омар Хайям – Любовь роковая беда
- “While with fond rapture and amaze” by Tobias Smollett
- Childe Roland To The Dark Tower Came by Robert Browning
- Cantico del Sole poem – Ezra Pound poems
- “`Covet who will the patronage of Kings ” poem – Alfred Austin
- Ольга Берггольц – Песня о жене патриота
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- happiness.html
- At the Zoo poem – A. A. Milne poem
- Vestiges poem – A. Van Jordan poems
- Un Chien Andalou (An Andalusian Dog) poem – A. Van Jordan poems
- The Flash Reverses Time poem – A. Van Jordan poems
- Que Sera Sera poem – A. Van Jordan poems
- Old Boy poem – A. Van Jordan poems
- Einstein Defining Special Relativity poem – A. Van Jordan poems
- A Tempest in a Teacup poem – A. Van Jordan poems | Poetry Monster
- A Tempest in a Teacup poem – A. Van Jordan poems | Best Poems
- In Memoriam
- Taylor Swift
- Wisdom in Love by Lutfi Abdallah a.k.a Laso
- Why I Do Not Miss You! by Praveen Parasar
- Weaving waves by Shailendra Singh
- Trademark by Samuel Stephen Wakdok
- Time Well-Served by Luis Estable
- This I Beg To Have by Luis Estable
- The True Lover by A. E. Housman
- The Song of My Heart by Olawuyi Mutiu
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.