A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Who Goes With Fergus? by William Butler Yeats
- September 1, 1802 by William Wordsworth
- Владимир Высоцкий – Марш аквалангистов
- word of God by Raj Arumugam
- Rule I By Eric Mottram Stop Writing Literature You Garrulous Indian
- Владимир Бенедиктов – Пируя праздник возвращенья
- Collateral Damage by Martina Reisz Newberry
- Владимир Маяковский – Перекопский энтузиазм
- Олег Бундур – Эпидемия
- To Ireland poem – Alfred Austin
- Coming Close by Philip Levine
- Владимир Бенедиктов – Ревность
- Carol of Words. by Walt Whitman
- Олег Григорьев – Схватили за ногу правую
- Untitled XX by Yunus Emre
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Heaven and You by Samuel Stephen Wakdok
- Goddess by Samuel Stephen Wakdok
- Ghazal to Pera Belle by Serkan Engin
- Garden of Sprites by Lyndsey Hylton
- Forgiveness by Zaklina (Jacqueline) Filipova- Svekjarovska
- For Aun by Lynne Scott
- Eternity by Samuel Stephen Wakdok
- Come by Samuel Stephen Wakdok
- Before You Returned by Shahida Latif
- Aquí te hubiese amado by Luz del Alba Nicola
- And because Love battles by Pablo Neruda
- An Untold Tale by Shahida Latif
- After the Last Glacier is Gone by Benjamin Alva Polley
- A Lover’s Prayer by St Antoine de la Vuadi
- Orlando Furioso Canto 19 by Ludovico Ariosto
- Orlando Furioso Canto 18 by Ludovico Ariosto
- His Insufficiency Of Praise by Luis Vaz de Camoes
- Light and Darkness
- You Are One For Whom Ma Heart Really Cares by Miraj Patel
- World’s Sweetest Sister Of Mine by Miraj Patel
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.