A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- House Of Silence by Philip Levine
- Олег Бундур – Запахи дня
- In Sutton Woods poem – Alfred Austin
- For Birds by Nithin Purple
- An Epitaph poem – Andrew Marvell poems
- A Strange Gentlewoman Passing By His Window by William Strode
- A Hairline Fracture poem – Amy Clampitt poems | Poems and Poetry
- Hail, Zaragoza! If With Unwet eye by William Wordsworth
- The Jungle Husband by Stevie Smith
- A Time to Talk by Robert Frost
- Come, Come, Whoever You Are by Jalal ad-Din Muhammad Rumi
- Robert Burns: The Cotter’s Saturday Night: Inscribed to R. Aiken, Esq., of Ayr.
- Remember the Tick by RD McManes
- Sonnet CLII by William Shakespeare
- Омар Хайям – Если ты не впадаешь в молитвенный раж
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sunflowers by Martin Willitts Jr.
- Morning by Mark R Slaughter
- Speaking the Language of Deer by Martin Willitts Jr.
- Mending Socks by Martin Willitts Jr.
- Some Say by Mark Miller
- So You Say by Mark Strand
- Manure by Mark R Slaughter
- Slag by Mark Base
- Mammary Tunes by Mark R Slaughter
- She and Drugs by Mark R Slaughter
- Sculpture of Debris on the Waterfront by Martina Reisz Newberry
- Lines For Winter by Mark Strand
- Life, wait for me by Martin Zakovski
- Question mark remarks by Mark Miller
- Life by Marvin Bell
- Postures by Martina Reisz Newberry
- My Father’s Hats by Mark Irwin
- Let Him Free by Mary Etta Metcalf
- Keeping Things Whole by Mark Strand
- Please Don’t Judas Me by Mark Miller
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.