A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Валерий Брюсов – Фламандцам
- Alone In The Woods by Stevie Smith
- Владислав Крапивин – Маленький принц
- A Country Nosegay poem – Alfred Austin
- Sunstroke
- Василий Тредиаковский – Описание грозы, бывшей в Гааге
- Grace Before Song poem – Ezra Pound poems
- Владимир Маяковский – Смотри, рабочий! Вот о чем сегодня речь (Главполитпросвет №166)
- For A Coming Extinction by W. S. Merwin
- The First Part: Sonnet 13 – O sacred blush, impurpling cheeks’ pure skies by William Drummond
- South Africa by Rudyard Kipling
- Виктор Гончаров – Опять пришла пора дождей
- Юлия Друнина – Ты должна
- June by William Cullen Bryant
- Sonnet (X) : In the search of the physical immortality by Neelam Sinha
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Poor House by Sara Teasdale
- The Old Maid by Sara Teasdale
- The Nights Remember by Sara Teasdale
- The New Moon by Sara Teasdale
- The Net by Sara Teasdale
- The Mother Of A Poet by Sara Teasdale
- The Metropolitan Tower by Sara Teasdale
- The Meeting by Sara Teasdale
- The Love That Goes A-Begging by Sara Teasdale
- The Look by Sara Teasdale
- The Long Hill by Sara Teasdale
- The Lights Of New York by Sara Teasdale
- The Lighted Window by Sara Teasdale
- The Lamp by Sara Teasdale
- The Kiss by Sara Teasdale
- The Kind Moon by Sara Teasdale
- The Inn Of Earth by Sara Teasdale
- The India Wharf by Sara Teasdale
- The House Of Dreams by Sara Teasdale
- The Heart’s House by Sara Teasdale
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.