A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Анатолий Жигулин – Кордон Песчаный
- Омар Хайям – Лик розы освежен дыханием весны
- Love and Burgers: Compatible or Incompatible Relationship?
- Lover’s Gifts XLIII: Dying, You Have Left Behind by Rabindranath Tagore
- Dance with ME by Neelam Sinha
- Robert Burns: A Dream: Thoughts, words, and deeds, the Statute blames with reason; But surely Dreams were ne’er indicted Treason. On reading, in the public papers, the Laureate’s Ode, with the other parade of June 4th, 1786, the Author was no sooner dropt asleep, than he imagined himself transported to the Birth-day Levee: and, in his dreaming fancy, made the following Address:
- An Ode To Antares
- The Hawk by William Butler Yeats
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- Олег Сердобольский – Храбрый червячок
- Shema by Primo Levi
- The Ad-Dressing Of Cats by T. S. Eliot
- From ‘Arcades’ poem – John Milton poems
- Вероника Тушнова – Я поняла, ты не хотел мне зла
- Do Not Stand At My Grave and Weep by Mary Frye
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Giver by Sara Teasdale
- The Gift by Sara Teasdale
- The Flight by Sara Teasdale
- The Faery Forest by Sara Teasdale
- The Dreams Of My Heart by Sara Teasdale
- The Crystal Gazer by Sara Teasdale
- The Coin by Sara Teasdale
- The Cloud by Sara Teasdale
- The Carpenter’s Son by Sara Teasdale
- The Broken Field by Sara Teasdale
- The Blind by Sara Teasdale
- The Answer by Sara Teasdale
- Spring In War Time by Sara Teasdale
- Soul’s Birth by Sara Teasdale
- A Song To Eleonora Duse In “Francesca da Rimini ” by Sara Teasdale
- Song At Capri by Sara Teasdale
- Since There Is No Escape by Sara Teasdale
- The Return by Sara Teasdale
- Pity by Sara Teasdale
- Pierrot’s Song by Sara Teasdale
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.