A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Федор Сологуб – В иных веках, в иной отчизне
- Lines to a Gentleman who sent a Newspaper by Robert Burns
- Inscription to Miss Graham of Fintry by Robert Burns
- kaleidoscopic whorled wide web. by matthew scott harris
- The Song of the Garden-Toad by Vachel Lindsay
- Buddha’s Laugh by Sonya Ki Tomlinson
- Gleaners Of Fame poem – Alfred Austin
- Me Imperturbe. by Walt Whitman
- Владимир Степанов – Енот (Буква Е)
- Robert Burns: A Bottle And Friend:
- Иннокентий Анненский – Франсис Жамм. Когда для всех меня не станет меж живыми
- Николай Языков – Подражание псалму
- Кондратий Рылеев – К N. N. (У вас в гостях бывать накладно)
- Владимир Высоцкий – Мажорный светофор, трёхцветье, трио
- Олег Бундур – Железное здоровье
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Voice by Sara Teasdale
- The Unseen by Sara Teasdale
- The Unchanging by Sara Teasdale
- The Tree by Sara Teasdale
- The Tree Of Song by Sara Teasdale
- The Treasure by Sara Teasdale
- The Storm by Sara Teasdale
- The Star by Sara Teasdale
- The Song Maker by Sara Teasdale
- The Song For Colin by Sara Teasdale
- The Solitary by Sara Teasdale
- The Silent Battle by Sara Teasdale
- The Shrine by Sara Teasdale
- The Sea Wind by Sara Teasdale
- The Sanctuary by Sara Teasdale
- The Rose by Sara Teasdale
- The Rose And The Bee by Sara Teasdale
- The River by Sara Teasdale
- The Return by Sara Teasdale
- The Princess In The Tower by Sara Teasdale
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.