A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Silence by Preeth Nambiar
- Николай Языков – Элегия (Поденщик, тяжело навьюченный дровами)
- Manifestations by Tom Shea
- Витамины
- Олег Бундур – Барашки
- Sonet 47 by William Alexander
- Огюст Барбье – Леонардо да Винчи
- The Immigrant
- E.A. Nov. 6, 1900 by John Oxenham
- No Chance To A New Life by Rashmi Sreekumar
- Music’s Empire poem – Andrew Marvell poems
- Your Words by Piera Chen
- Алексей Толстой – Ты не спрашивай, не распытывай
- Greece
- Loving In Truth, And Fain In Verse My Love To Show by Sir Philip Sidney
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- A Song of Enchantment by Walter de la Mare
- Nicholas Nye by Walter de la Mare
- Napoleon by Walter de la Mare
- Arabia by Walter de la Mare
- An Epitaph by Walter de la Mare
- To His Love When He Had Obtained Her by Sir Walter Raleigh
- To a Lady with an Unruly and Ill-mannered Dog Who Bit several Persons of Importance by Sir Walter Raleigh
- The Silent Lover ii by Sir Walter Raleigh
- The Silent Lover i by Sir Walter Raleigh
- The Nymph’s Reply To The Shepherd by Sir Walter Raleigh
- The Lie by Sir Walter Raleigh
- The Conclusion by Sir Walter Raleigh
- The Artist by Sir Walter Raleigh
- Stans Puer ad Mensam by Sir Walter Raleigh
- Song of Myself by Sir Walter Raleigh
- Sestina Otiosa by Sir Walter Raleigh
- Now What Is Love by Sir Walter Raleigh
- On Being Challenged to Write an Epigram in the Manner of Herrick by Sir Walter Raleigh
- Nature that Washed Her Hands in Milk by Sir Walter Raleigh
- My Last Will by Sir Walter Raleigh
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.