A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- A Dish Of Peaches In Russia by Wallace Stevens
- Farewell To Spring poem – Alfred Austin
- 我被包围了
- Bond and Free by Robert Frost
- Everything by Philip Levine
- AN HYMN TO THE MUSES by Robert Herrick
- The Lament of the Border Cattle Thief by Rudyard Kipling
- Elegy on the Year 1788 by Robert Burns
- Владимир Бенедиктов – Леля
- Mama I’ll Sing One For You by Shel Silverstein
- The Lamp by Sara Teasdale
- Владимир Бенедиктов – Южная ночь
- Ольга Берггольц – Она дарить любила
- A Song From ‘The Player Queen’ by William Butler Yeats
- К той, что названа Кариной
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Like Truthless Dreams, So Are My Joys Expired by Sir Walter Raleigh
- Life by Sir Walter Raleigh
- His Pilgrimage by Sir Walter Raleigh
- Her Reply by Sir Walter Raleigh
- Farewell to the Court by Sir Walter Raleigh
- Epitaph by Sir Walter Raleigh
- A Literature Lesson. Sir Patrick Spens in the Eighteenth Century Manner by Sir Walter Raleigh
- A Farewell to False Love by Sir Walter Raleigh
- On Catullus by Walter Savage Landor
- Of Clementina by Walter Savage Landor
- Corinna, from Athens, to Tanagra by Walter Savage Landor
- Ianthe! You are Call’d to Cross the Sea by Walter Savage Landor
- Mother, I cannot mind my Wheel by Walter Savage Landor
- Ianthe by Walter Savage Landor
- Child of a Day by Walter Savage Landor
- Late Leaves by Walter Savage Landor
- One Lovely Name by Walter Savage Landor
- On An Eclipse Of The Moon by Walter Savage Landor
- Mild is the Parting Year by Walter Savage Landor
- I Entreat You, Alfred Tennyson by Walter Savage Landor
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.