A poem by Aeschylus (c. 525 – c. 456 Before Christ )
MESSENGER
Now at the Seventh Gate the seventh chief,
Thy proper mother’s son, I will announce,
What fortune for this city, for himself,
With curses he invoketh:–on the walls
Ascending, heralded as king, to stand,
With paeans for their capture; then with thee
To fight, and either slaying near thee die,
Or thee, who wronged him, chasing forth alive,
Requite in kind his proper banishment.
Such words he shouts, and calls upon the gods
Who o’er his race preside and Fatherland,
With gracious eye to look upon his prayers.
A well-wrought buckler, newly forged, he bears,
With twofold blazon riveted thereon,
For there a woman leads, with sober mien,
A mailed warrior, enchased in gold;
Justice her style, and thus the legend speaks:–
“This man I will restore, and he shall hold
The city and his father’s palace homes.”
Such the devices of the hostile chiefs.
‘Tis for thyself to choose whom thou wilt send;
But never shalt thou blame my herald-words.
To guide the rudder of the State be thine!
ETEOCLES
O heaven-demented race of Oedipus,
My race, tear-fraught, detested of the gods!
Alas, our father’s curses now bear fruit.
But it beseems not to lament or weep,
Lest lamentations sadder still be born.
For him, too truly Polyneikes named,–
What his device will work we soon shall know;
Whether his braggart words, with madness fraught,
Gold-blazoned on his shield, shall lead him back.
Hath Justice communed with, or claimed him hers,
Guided his deeds and thoughts, this might have been;
But neither when he fled the darksome womb,
Or in his childhood, or in youth’s fair prime,
Or when the hair thick gathered on his chin,
Hath Justice communed with, or claimed him hers,
Nor in this outrage on his Fatherland
Deem I she now beside him deigns to stand.
For Justice would in sooth belie her name,
Did she with this all-daring man consort.
In these regards confiding will I go,
Myself will meet him. Who with better right?
Brother to brother, chieftain against chief,
Foeman to foe, I’ll stand. Quick, bring my spear,
My greaves, and armor, bulwark against stones.

A few random poems:
- An Ode To Antares
- Prologue, spoken by Mr. Woods at Edinburgh by Robert Burns
- Conscripts by Siegfried Sassoon
- The Call To Arms In Our Street by Winifred Mary Letts
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- The Gardener XIX: You Walked by Rabindranath Tagore
- Robert Burns: O Wert Thou In The Cauld Blast:
- Владимир Костров – Сверстницам
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- Владимир Британишский – Младший брат
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- A Rustic Seat Near The Sea by William Lisle Bowles
- A Garden-Seat At Home by William Lisle Bowles
- Where fair Sabrina’s wand’ring currents flow by William Somervile
- To the Right Hon. The Earl of Halifax , with the Fable of the Two Springs by William Somervile
- To the Right Hon. Lady Anne Coventry by William Somervile
- To the Duke of Marlborough, upon His Removal From All His Places by William Somervile
- To the Author of the The Essay on Man by William Somervile
- To Dr. MReading Mathmatics by William Somervile
- To a Young Lady, with the Illiad of Homer Translated by William Somervile
- To a Lady, Who Made Me a Present of a Silver Pen by William Somervile
- To a Gentleman, Who Married His Cast Mistress by William Somervile
- To a Discarded Toast by William Somervile
- The Yeoman of Kent by William Somervile
- The Wolf and the Dog by William Somervile
- The Wise Builder by William Somervile
- The Two Springs by William Somervile
- The True Use of the Looking-Glass by William Somervile
- The Superannuated Lover by William Somervile
- The Sheep and the Bush by William Somervile
- The Lamentation of David Over Saul and Jonathan by William Somervile
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.