FILL the bowl with rosy wine,
Around our temples roses twine.
And let us cheerfully awhile,
Like the wine and roses smile.
Crown’d with roses we contemn
Gyge’s wealthy diadem.
Today is ours; what do we fear?
Today is ours; we have it here.
Let’s treat it kindly, that it may
Wish, at least, with us to stay.
Let’s banish business, banish sorrow;
To the Gods belongs tomorrow.

A few random poems:
- Огюст Барбье – Мельпомена
- Under A Portrait Of Jukowsky poem – Alexander Pushkin
- Nevermore, Translation of Paul Verlaine’s sonnet: Nevermore by T. Wignesan
- A Passing Glimpse by Robert Frost
- Lines Written On A Blank Leaf In A Copy Of The Author’s Poem “The Excursion,” by William Wordsworth
- Олег Бундур – Весна
- Commination
- Sergei Esenin (Serguei Yesenin, Sergueï Essénine) – Sounds of Sorrow
- Владимир Британишский – О, растенья-пустынники дюнных песков
- still the leaves fall… and dream by Steve Troyanovich
- Robert Burns: Tarbolton Lasses, The:
- In Every Direction by Ralph Angel
- Владимир Степанов – Эскимос (Буква Э)
- Robert Burns: Raving Winds Around Her Blowing: I composed these verses on Miss Isabella M’Leod of Raza, alluding to her feelings on the death of her sister, and the still more melancholy death of her sister’s husband, the late Earl of Loudoun, who shot himself out of sheer heart-break at some mortifications he suffered, owing to the deranged state of his finances.-R.B., 1971.
- Владимир Маяковский – Не вразброд, не случайно (Главполитпросвет)
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sweetheart by M. T. Metutera
- Sweet Fire by Samuel Stephen Wakdok
- Summer by Luther Seahand
- Sonnet # 9 by Luis A. Estable
- Sonnet # 8 by Luis A. Estable
- Sonnet # 7 by Luis A. Estable
- Sonnet # 6 by Luis A. Estable
- Sonnet # 4 by Luis A. Estable
- Sonnet # 21 by Luis A. Estable
- Sonnet # 2 by Luis A. Estable
- Sonnet # 19 by Luis A. Estable
- Sonnet # 18 by Luis A. Estable
- Sonnet # 17 by Luis A. Estable
- Sonnet # 15 by Luis A. Estable
- Sonnet # 14 by Luis A. Estable
- Sonnet # 13 by Luis A. Estable
- Sonnet # 12 by Luis A. Estale
- Sonnet # 11 by Luis A. Estable
- Sonnet # 10 by Luis A. Estable
- So Soon Done! by Luis Estable
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.