I’AVE often wish’d to love; what shall I do?
Me still the cruel boy does spare;
And I a double task must bear,
First to woo him, and then a mistress too.
Come at last and strike, for shame,
If thou art any thing besides a name;
I’ll think thee else no God to be,
But poets rather Gods, who first created thee.
I ask not one in whom all beauties grow;
Let me but love, whate’er she be,
She cannot seem deform’d to me;
And I would have her seem to others so.
Desire takes wings and straight does fly,
It stays not dully to inquire the Why.
That happy thing, a lover, grown,
I shall not see with others’ eyes, scarce with mine own.
If she be coy, and scorn my noble fire;
If her chill heart I cannot move;
Why I’ll enjoy the very love,
And make a mistress of my own desire.
Flames their most vigorous heat do hold,
And purest light, if compass’d round with cold:
So, when sharp winter means most harm,
The springing plants are by the snow itself kept warm.
But do not touch my heart, and so be gone;
Strike deep thy burning arrows in!
Lukewarmness I account a sin,
As great in love as in religion.
Come arm’d with flames; for I would prove
All the extremities of mighty Love.
Th’ excess of heat is but a fable;
We know the torrid zone is now found habitable.
Among the woods and forests thou art found,
There boars and lions thou dost tame;
Is not my heart a nobler game?
Let Venus, men; and beasts, Diana, wound!
Thou dost the birds thy subjects make;
Thy nimble feathers do their wings o’ertake:
Thou all the spring their songs dost hear;
Make me love too, I’ll sing to’ thee all the year!
What service can mute fishes do to thee?
Yet against them thy dart prevails,
Piercing the armour of their scales;
And still thy sea-born mother lives i’th’ sea.
Dost thou deny only to me
The no-great privilege of captivity?
I beg or challenge here thy bow;
Either thy pity to me, or else thine anger, show.
Come! or I ‘ll teach the world to scorn that bow:
I’ll teach them thousand wholesome arts
Both to resist and cure thy darts,
More than thy skilful Ovid e’er did know.
Musick of sighs thou shalt not hear,
Nor drink one wretched lover’s tasteful tear:
Nay, unless soon thou woundest me,
My verses shall not only wound, but murder, thee.
A few random poems:
- So Far and So Far, and on Toward the End. by Walt Whitman
- Владимир Высоцкий – И душа, и голова, кажись, болит
- The Coastwise Lights by Rudyard Kipling
- Vegetable Swallow by Tristan Tzara
- The Quaker Graveyard in Nantucket by Robert Lowell
- I don’t want to have you by Vinko Kalinic
- William Henry Davies
- Couplet 6 poem – Amir Khusro poems | Poems and Poetry
- Eclogue:–The Veäiries by William Barnes
- You Felons on Trial in Courts. by Walt Whitman
- The Fancy Feäir At Maïden Newton by William Barnes
- Zoo-Keeper’s Wife by Sylvia Plath
- Нина Пикулева – Яна-Несмеяна
- Bleäke’s House In Blackmwore by William Barnes
- A Silence poem – Amy Clampitt poems | Poems and Poetry
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Four Winds poem – Aleister Crowley poems | Poetry Monster
- The Five Adorations poem – Aleister Crowley poems | Poetry Monster
- The Buddhist poem – Aleister Crowley poems | Poetry Monster
- The Atheist poem – Aleister Crowley poems | Poetry Monster
- Thanatos Basileos poem – Aleister Crowley poems | Poetry Monster
- Prologue to Rodin in Rime poem – Aleister Crowley poems | Poetry Monster
- Power poem – Aleister Crowley poems | Poetry Monster
- Pan to Artemis poem – Aleister Crowley poems | Poetry Monster
- Optimist poem – Aleister Crowley poems | Poetry Monster
- On; On; Poet poem – Aleister Crowley poems | Poetry Monster
- Lyric of Love to Leah poem – Aleister Crowley poems | Poetry Monster
- Long Odds poem – Aleister Crowley poems | Poetry Monster
- Logos poem – Aleister Crowley poems | Poetry Monster
- Linoz Isidoz poem – Aleister Crowley poems | Poetry Monster
- La Gitana poem – Aleister Crowley poems | Poetry Monster
- Independence poem – Aleister Crowley poems | Poetry Monster
- Hymn to Pan poem – Aleister Crowley poems | Poetry Monster
- Hymn to Lucifer poem – Aleister Crowley poems | Poetry Monster
- Happy Dust poem – Aleister Crowley poems | Poetry Monster
- Elegy poem – Aleister Crowley poems | Poetry Monster
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.